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1. Toward an Ontology of the Field of Digital Poetry

   author-submitted abstract:

   This essay proposes a model of an ontology based on the ontological model by Spinoza commented by Deleuze. It aims at establishing properties of a tool for indexing documents related to the field of digital poetry. It is build in three stages.

   In a first stage, we build a normalised graphical representation of the Spinoza’s model. We show that this philosophical model can easily be schematised in a combination between a relation/entity model and an set representation with internal graphical lows. These graphics are normalised because each part of them has a unique and constant significant. So, such graphics can be used to make graphical treatment of information in relationship with databases.

   Figure 1 : schema of an individual

   Eric Dean Rasmussen - 27.01.2011 - 15:29

2. Intertextuality in Digital Poetry

   Despite postmodern and deconstructivist studies in the field, interxtuality is still often viewed as a process of textual closure: in that vision a text refers to an older text, and once we have found the source, the intertextual interpretation is completed.

   Riffatterre, for example, seems to suggest this in his article ‘Intertextuality vs Hypertextuality’ (1994). Riffaterre stated here that intertextuality and hypertextuality should be distinguished, since the former is finite, while the latter is infinite. He defines hypertextuality as ‘the use of the computer to transcend the linearity of the written text by building an endless series of imagined connections, from verbal associations to possible worlds, extending the glosses or the marginalia from the footnotes of yesteryear to metatexts’ (Riffaterre 1994: 780) Intertextuality, on the other hand, ‘depends on a system of difficulties to be reckoned with, of limitations in our freedom of choice, of exclusions, since it is by renouncing incompatible associations within the text that we come to identify in the intertext their compatible counterparts’ (ibid: 781).

   Eric Dean Rasmussen - 27.01.2011 - 17:01

3. Triálogo: Prelúdio dialogante a AlletSator

   Triálogo: Prelúdio dialogante a AlletSator

   Rui Torres - 02.12.2011 - 15:35

4. E-Poetry Bibliography

   The E-Poetry Bibliography provides an introduction to a wide variety of digital poetries, including code, visual, animated, video, audio, interactive/game, programmatic/generative and collaborative poetry.

   Christine Wilks - 20.01.2012 - 18:31

5. Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric

   Most often when critics try to demonstrate the "literariness" of digital poetry, the theory they rely upon derives from the avant-garde practices of the twentieth century. To expand this dialogue with literary traditions, this paper explores the possibility of a digital lyric. Through a textual analysis of selected digital poems, the lyric genre is reconsidered to meet the needs of digital writing in two ways. First, by drawing on key works from posthuman studies (Hayles; Haraway; Turkle) the lyric subject is re-envisioned beyond the limiting (and often assumed) Romantic-era definitions. Second, by revising the lyric subject with concepts from digital studies, a dialogue opens up with other generic traditions of the lyric: notions of brevity, emotional functions of the utterance, and even musical language. As well, the function of the lyric as a communal, performative gesture becomes an especially suitable poetic convention for the digital realm.

   Scott Rettberg - 08.01.2013 - 17:10

6. poésie dynamique

   Pour analyser la poésie sur ordinateur et la poésie sur le Web (bien que ce dernier n’étant qu’un dérivatif du premier, puisque le coeur, le fond, l’essentiel même du Web réside dans l’ordinateur) nous avons à déblayer le terrain de la route qui nous y a conduit. Il est évident que cette poésie n’a pas surgi du néant. L’approche peut se faire selon trois axes: le premier étant la poésie d’aspect classique mais combinatoire, le deuxième la poésie visuelle et le troisième la poésie
   sonore.

   Alvaro Seica - 10.09.2014 - 13:07

7. alire 13

   alire 13

   Jonathan Baillehache - 10.09.2014 - 20:17

8. Theo Lutz, Stochastic Text. Digital Poetry Overview: a chronology of digital poetry’s anscestors and contemporaries

   Theo Lutz, Stochastic Text. Digital Poetry Overview: a chronology of digital poetry’s anscestors and contemporaries

   Ana Castello - 02.10.2018 - 22:17