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New Philosophy for New Media
In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position—as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era. Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure—that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms.
Scott Rettberg - 26.02.2011 - 15:36
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The Eternal Hourglass of Existence
Sascha Pöhlmann reviews Lance Olsen’s 2006 novel Nietzsche’s Kisses.
Ana Castello - 06.12.2017 - 19:41
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A New Philosophy of Society: Assemblage Theory and Social Complexity
The book is an attempt to loosely define a new ontology for use by social theorists — one that challenges the existing paradigm of meaningful social analyses being possible only on the level of either individuals (micro-reductionism) or "society as a whole" (macro-reductionism). Instead, the book employs Gilled Deleuze`s and Felix Guattari's theory of assemblages from A Thousand Plateaus (1980) to posit social entities on all scales (from sub-individual to transnational) that are best analysed through their components (themselves assemblages).
According to DeLanda, following Deleuze's ideas of difference and repetition (what DeLanda calls "variable repetition"), assemblages necessarily exist in heterogeneous populations. The relationship between an assemblage and its components is complex and non-liner: assemblages are formed and affected by heterogeneous populations of lower-level assemblages, but may also act back upon these components, imposing restraints or adaptations in them.
Alisa Nikolaevna Ammosova - 29.09.2021 - 14:22
