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1. Poemas no meio do caminho

   This  is a combinatory text. There are two versions of the text – two ways of reading it: horizontally and vertically. Both versions allow the reader to save her own textual production, and then to send that production to a weblog. The reader can recombine the text according to the paradigmatic axis of language: the reader selects, the machine morphs/combines. However,  some “obligatory” options resist. By quoting Dante, Poemas no meio do caminho is a metaphor of the reading practice: “poemas no meio do caminho da leitura” (“poems midway upon the journey of reading”). It suggests an ephemeral poetic construction that appears and vanishes in a click. On the one hand these poems destroy the sacredness of the poetic language; on the other they realize the poïesis.This work has won (ex-aequo) the 4t Premi Internacional "Ciutat de Vinaròs" de Literatura Digital.

   Patricia Tomaszek - 13.01.2011 - 17:49

2. TLT vs. LL

   The z dimension in this work is important to the conceptual as well
   as the physical operation of the work. Normally, I am not so much
   concerned beyond the xy. My work is first graphic, then literary,
   interactive, and whatever else, so a concern beyond 2D is not high
   priority – until now, and with thanks in part to Rita Raley’s z
   queries.
   The idea of 'versus' (as opposition) demands at the
   least two sides, so, it could be represented visually with just xy.
   Previous 'dual' examples (and these are xy representations):
       warnell.com/pbn_io/dialog04.htm. Subject: dialog
       Email from John Cayley (/w Rita Raley), 2004
       warnell.com/real/dialog.htm. Dialog
       Email exchange with visual poet Jim Andrews, 1997
   So, thinking along that z line... the opposition
   comes not from the left or right, but from back to front ( 1 white from
   9 x white moves to top )
   

   Rita Raley - 05.05.2011 - 14:56