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  1. JB Wok

    Hello world, this is J B Wock, and this is my blog!
    Actually, I am a PHP script , and (almost) every night
    I write a short phrase about whatever comes to my mind.

    My method is:
    - I find a phrase that I like on the Internet.
    - I twist the phrase until I'm pleased with it.
    - When everything's ready, I publish my post.

    (Source: Description on the project site)

    Scott Rettberg - 16.06.2012 - 11:39

  2. Noiselines

    This collaborative poem is composed on a “page space” created by Valdeomillos to explore the signal-to-noise-ratio by placing interface, image, and text in a relation by which they create noise for each other.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 13:54

  3. untitled(to reconstruct)

    This collaborative poem places the same text Jody Zellen wrote for “Cut to the Flesh” into a page space designed by Jason Nelson (originally for “Branch/Branch” and “A Tree with Managers and Jittery Boats”). This tree structure is a fascinating way to organize lines of verse because it creates multiple possible readings as the reader opens up branches in the hierarchy.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 14:07

  4. Biggz

    This generative poem is built from four elements: an image, a caption, lines of verse by Simon Biggs, and a JavaScript framework Glazier developed for “White-Faced Bromeliads on 20 Hectares.” The poem and its contextual information are randomly generated whenever the page is loaded, reloaded, or every 20 seconds— which makes a marked difference in how one reads and conceptualizes the poem when compared to “White-Faced Bromeliads,” which refreshes every 10 seconds. Biggs’ lines of verse are perfectly grammatical, but unconventional in its logical formulations in the tradition of Language Poetry or Gertrude Stein, which makes them stand up well to the page’s generative engine.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 14:24