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A Literatura Cibernética 1: Autopoemas Gerados por Computador
Pedro Barbosa’s pioneering work introduced computer-generated literature (CGL) in Portugal in 1975. Having worked with Abraham A. Moles at the University of Strasbourg, Barbosa published three theoretical-practical volumes of his programming experiences with the FORTRAN and BASIC languages. These volumes deal with combinatorics and randomness, developing algorithms able to ally computing and literary production, bearing in mind a perspective of computational text theory.
Scott Rettberg - 10.07.2013 - 14:26
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The Truelist
The Truelist is a book-length poem generated by a one-page, stand-alone computer program. Based around compound words, some more conventional, some quite unusual, the poem invites the reader to imagine moving through a strange landscape that seems to arise from the English language itself. The unusual compounds are open to being understood differently by each reader, given that person’s cultural and individual background.
The core text that Nick Montfort wrote is the generating computer program. It defines the sets of words that combine, the way some lines are extended with additional language, the stanza form, and the order of these words and the lines in which they appear. The program is included on the last page. Anyone who wishes is free to study it, modify it to see what happens, and make use of it in their own work.
Nick Montfort - 19.04.2018 - 22:43
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Kim Kardashian's Marriage
Sam Riviere's debut, 81 Austerities, began as a blog responding to the spending cuts, and went on in publication to win the 2012 Forward Prize for Best First Collection. A sequel of sorts, the 72 poems in Kim Kardashian's Marriage mark out equally sharpened lines of public and private engagement. Kim Kardashian's 2011 marriage lasted for 72 days, and was seen by some as illustrative of the performative spectacle of celebrity life. Whatever the truth of this (and Kardashian's own statements refute it), Riviere has used the furore as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation. His approach eschews a dependence upon confessional modes of writing to explore what kind of meaning lies in impersonal methods of creation. For, as with 81 Austerities, the process of enquiry involves the composition method itself, this time in poems that have been produced by harvesting and manipulating the results of search engines to create a poetry of part-collage, part-improvisation.
leahhenrickson - 13.08.2018 - 21:41
