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Spam Heart
This generative poem is built from “spam, code, thesis work, and a little bit of language’s heart.” Each part of the poem is organized into three strophes: the first one uses a larger font, the second one consists of a single word, and the third uses three words. Upon opening the poem, the first strophe is selected randomly from a dataset, after which it begins a sequence that reads coherently from one textual generation to the next. The second and third strophes are always independently randomly selected from their datasets, creating new textual combinations with the constant sequence in the first strophe. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 08.02.2013 - 15:32
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Unravel
This scheduled poem plays like a silent video composed of a series of photographs of a wheat field in the background and kinetic language in the foreground. The text unfolds through a series of transformations of words by moving letters around into to form other words, and letter substitutions that create rapid word sequences. Timing is all in this poem, which could be organized internally by the speed at which its words are transformed and the means by which they change from one to the next. Notice the speed at which a sequence of four letter words change through letter substitution, forming a stream of associations, and the emphasis this gives to the pause at the end. Contrast this to the longer words that transform into other words by moving letters around, emphasizing each word and its meaning as moments with a thematic charge that punctuates the poem.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 13:29
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Feral C
This work is a series of live Twitter performances of characters, each of which has an account and interacts in this social network to form what Breeze describes as a “socumentary.” “A “socumentary” is an entertainment form that merges Choose Your Own Adventure /Alternate Reality Drama/Social Game and Social Networking conventions. The result is a type of synthetic mockumentary that exists entirely within social media formats.
Hannelen Leirvåg - 07.05.2013 - 19:17
