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@georgelazenby : How Goes the Enemy?
This conceptual video poem takes the idea of scheduled presentation to a mind-boggling scale. It consists of 19 lines from the @georgelazenby Twitter feed presented in 5-second loops times its factorial factorial, so upon launching, the first line will play right away (5x0), the second will play after 5 seconds (5x1), the third after 10 seconds (5x2), the fourth after 30 seconds (5x6), the fifth after 2 minutes (5x24), the sixth after 10 minutes (5x120), the seventh after 1 hour (5x720), the eighth after 7 hours (5x5040), the eighth after 2 days and 8 hours (5x40320), the ninth after 21 days (5x362880), and… you get the idea. It not only becomes impractical but humanly impossible, since the time scale continues to grow line by line until it is longer than the age of the universe. Can you keep the computer running continuously for more than the 6 years it takes to reach line 11? How about the 75 years after that to reach line 12?
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 20:02
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@Darius_at_GDC
This bot is a stand-in for Kazemi at the Game Developer’s Conference happening at the time of this posting in San Francisco, because he will not be able to attend for the first time in 10 years. So instead of pining away on Twitter as #GDC tweets flood his stream, he created a bot so his friends could have the pleasure of his company in their own streams, which as we know, is almost as good as his being there. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 18:33
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@tonightiate
This bot generate short template based sentences and publish them on Twitter every 10 minutes. With them Schneider demonstrates some of the versatility of the same kind of device when applied to different topics. The bot “@tonightiate,” uses a relatively simple template that produces an obsessive litany of consumption. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 18:57
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@MassageMcLuhan
Schneider’s artist’s statement, offers the source code in addition to this description. I created @massagemcluhan, a bot that would “massage” McLuhan’s quotes—work them over completely, as McLuhan would say. I’ve noticed McLuhan’s penchant for reworking and revisiting phrases (“the medium is the message” and “the medium is the massage” being the most famous), and thought it would be interesting to rework some of these phrases by substituting various nouns into them. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 19:01
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Feral C
This work is a series of live Twitter performances of characters, each of which has an account and interacts in this social network to form what Breeze describes as a “socumentary.” “A “socumentary” is an entertainment form that merges Choose Your Own Adventure /Alternate Reality Drama/Social Game and Social Networking conventions. The result is a type of synthetic mockumentary that exists entirely within social media formats.
Hannelen Leirvåg - 07.05.2013 - 19:17
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Willy Shakes
“Willy Shakes” was programmed by Joshua Strebel in 2009 and set into motion publishing the complete works of William Shakespeare on Twitter, calculating that “every 10 minutes a new line, 24/7/365. Should take about 2 years, 13 days… and finish around August 24th 2011.” (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 09.05.2013 - 23:17
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Walt Whitman
“Walt Whitman” isn’t a bot, it is a constraint an anonymous scholar took on: to tweet a portion from the 1855 edition of Leaves of Grass (almost) every day, sequentially from beginning to end, over and over. I use the word “scholar” because of the foregrounding and choice of edition (which edition of Shakespeare is Strebel using?) and the method of the constraint which forces the scholar to read each line when cutting and pasting it. This discipline has the powerful impact of keeping the scholar’s mind focused on this poet’s work on a daily basis, re-discovering Whitman’s poetry over time, and gaining insight in the process. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 09.05.2013 - 23:24
