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  1. Le Dernier Volcan

    This video project explores Norwegian folk histories that return as fragments in light of ongoing volcanic eruptions. The project was recorded in Bergen following the disruptions caused by the activities of the Eyjafjallajökull volcano in Iceland. A folk history of disaster is set against slowly revolving images set in a contemporary landscape. This is the first of a series of works recorded in Norway that juxtapose folk histories and contemporary events to explore narrative and associative characteristics of cultural anxieties and collective memory. The project was researched and filmed by Roderick Coover in 2010 thanks to a distinguished-scholar-in-residence award from the University of Bergen.

    Alvaro Seica - 13.11.2014 - 23:32

  2. multi.com.plicity

    Multiplicity
    1. A large number or great variety
    2. The state of being multiple

    Complicity
    1. The fact or condition of being an accomplice, esp in a criminal act

    multi.com.plicity is a twenty-first century translation of Guy de Maupassant's short story Mes vingt-cinq jours (My Twenty-Five Days), originally published in 1885, and translated into English by Albert M.C. McMaster, A.E. Henderson, Mme. Quesada et al.

    multi.com.plicity takes de Maupassant's story and reimagines it, changing a health resort in 19th century France to a laboratory complex in an unspecified future, and inhabiting the story with nameless clones and technology. In this way the story eschews the notion of a literal translation in favour of a temporal and situational carrying across of de Maupassant's tale, with multiple layers of perception as realised through randomised image and video layers.

    Chris Joseph - 01.01.2015 - 11:39

  3. from estranger to e-stranger

    An (e)stranger is invisible, exotic, unidentifiable, rude, hybrid, 
blurry, deformed, subversive, incomprehensible, complex, pliable, lonely, abject, harder and more fragile at the same time … they are more resilient, more inventive, know how to protect themselves, are good observers, look around a lot, see and ask questions about things that seem to be selfevident …

    There is so much to enjoy in this book. It is all-at-once instruction manual, poetry and a series of vignettes of contemporary encounters in language-less places.” Ruth Catlow 23-09-2014

    Annie Abrahams - 15.09.2019 - 18:09