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1. An Ocean of Static

   "J.R. Carpenter draws language through the icy passage of code's style" Nick Montfort

   An Ocean of Static transforms the dense, fragmented archive of the North Atlantic into an astonishing sea of fresh new text. From the late 15th century onwards, a flurry of voyages were made into the North Atlantic in search of fish, the fabled Northwest Passage, and beyond into the territories purely imaginary. Today, this vast expanse is crisscrossed with ocean and wind currents, submarine cables and wireless signals, seabirds and passengers, static and cargo ships.

   In this long-awaited poetry debut by award-winning digital writer and artist J.R. Carpenter, cartographic and maritime vernaculars inflected with the syntax and grammar of ships logs and code languages splinter and pulse across the page. Haunting, politically charged and formally innovative, An Ocean of Static presents an ever-shifting array of variables. Amid global currents of melting sea ice and changing ocean currents Carpenter charts the elusive passages of women and of animals, of indigenous people and of migrants, of strange noises and of phantom islands.

   J. R. Carpenter - 10.04.2018 - 13:01

2. Penelope

   Penelope is a combinatory sonnet generator film based on the Odyssey, addressing themes of longing, mass extinction, and migration. Recombinations of lines of the poem, video clips, and musical arrangements produce a different version of the project on each run. Penelope was co-produced by Alejandro Albornoz (Sound), Roderick Coover (Video), and Scott Rettberg (Text and Code). Using a similar combinatory structure to that of Raymond Queneau's Cent mille milliards de poèmes, the computer-code-driven combinatory film can produce millions of variations of a sonnet that weaves and then unweaves itself. The program writes 13 lines of a sonnet and then reverses the rhyme scheme at the center couplet. Each 26 line poem is produced as an audiovisual composition, with lines spoken by voice actress Heather Morgan. The system determines their composition, produces and plays the video and musical composition, and then displays the text of the generated poem before composing a new sonnet pair. The videos by Roderick Coover and the sound compositions by Alejandro Albornoz also recombine in an algorithmic structure.

   Scott Rettberg - 13.08.2018 - 20:48

3. Future Lore

   "Future Lore" is a poetry generator that remixes Nick Montfort's poetry generator "Taroko Gorge". It presents a futuristic free-for-all world where chaos rules. 

   Filip Falk - 05.06.2019 - 01:00

4. Lucebot

   Lucebot is een kunstmatig intelligente dichtrobot, die live poëzie in verschillende mate van creativiteit kan uitspugen volgens het ritme van de gedichten van Lucebert.

   Lucebot verscheen in Kijkschrift. Kijkschrift is een artistiek en literair pop-up tijdschrift, waarvan de bladzijden onder jouw ogen van de pagina afglijden en tot leven komen in de vorm van visuele kunst en poëzie in de Leidse binnenstad. Geïnspireerd op de gedichten van de schrijver en kunstenaar Lucebert. 

   David Peeters - 14.05.2021 - 11:46

5. OTTARAS: 2CONCRETE

   In the autumn 2014 I was reading in the TARP festival in Vilnius and in the ZEBRA film poetry festival in Berlin. This was motivating for extending my project in the direction of sound poetry. Meeting the Russian composer Taras Mashtalir in e-Poetry2013 in London and later in Bergen, has resulted in a great collaboration. Together we are OTTARAS, and so far we have produced six sound poetry tracks based on my earlier works and with videos made by Alexander Vojjov and Yan Kalnberzin.

   Source: http://yellowpoetry.com/sound-poetry-news/

   Chiara Agostinelli - 26.09.2018 - 15:17

6. Poétique de la post-humanité

   Le langage devient un espace graphique d’exploration à partir de l’expression poétique de l’homme.

   En dialogue avec Jacques Donguy, Philippe Boisnard a pensé l’exposition “Poésie de la Post Humanité” à partir de documents et de propositions artistiques (Thierry Fournier, Beb-deum et de 3 holopoèmes d’Augusto de Campos, d’Eduardo Kac et de Richard Kostelanetz), afin de montrer que la poésie d’avant-garde ne propose pas que des formes esthétiques liées à la technique mais une autre appréhension de l’homme, de son devenir imprégné de son inventivité technique.

   Source: http://www.cda95.fr/fr/bains-numeriques-10e-edition/poesie-de-la-post-hu...

   Chiara Agostinelli - 26.09.2018 - 15:32