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1. UB Forum

   For more details see cross-referenced presentation on Wednesday, October 29th at 1:15pm.

   Patricia Tomaszek - 23.10.2014 - 11:45

2. Digital Humanities

   The ADHO organizes and sponsors an annual conference. The first joint conference was held in 1989, at the University of Toronto--but that was the 16th annual meeting of ALLC, and the ninth annual meeting of the ACH-sponsored International Conference on Computers and the Humanities (ICCH). The conferences were renamed "Digital Humanities" in 2007.

   Jill Walker Rettberg - 26.10.2014 - 05:26

3. Digital Humanities in Practice (DIKULT 207, Spring 2015)

   Digital Humanities in Practice (DIKULT 207, Spring 2015)

   Alvaro Seica - 21.01.2015 - 15:25

4. New Media Writing Prize 2013

   Bournemouth University and if:book UK announced the shortlist for the 2013 New Media Writing Prize.

   Thor Baukhol Madsen - 25.01.2015 - 19:58

5. Reading wide, writing wide in the digital age: perspectives on transliteratures

   Participants will be researchers having attained international recognition for their work in two fundamental lines of literary and cultural theory that we would like to pull together here, just as this is reflected in the presentation of the call for papers (see the attached file): 1. literary globalization phenomena and 2. cyberculture. Thus, we hope to generate a fruitful debate that might contribute to providing answers.

   Maria Goicoechea - 26.01.2015 - 13:05

6. 2014 Electronic Literature Organization: Gallery of E-Literature First Encounters

   The artists featured on Gallery of E-Literature First Encounters were not previously exhibited at a media arts show sponsored by the Electronic Literature Organization. In some cases, this is their first time exhibiting work in any setting.

   (Source: ELO conference website)

   Magnus Lindstrøm - 29.01.2015 - 15:43

7. Bad Quarto

   Bad Quarto is Nick Montfort's micropress. The name of the press was first used on a publication in 2005; as of 2018, the press has its own site and has begun to publish work by others. Work published includes letterpress printed matter, a Web journal (Taper), limited-edition and unique books, and unique digital book objects.

   Alvaro Seica - 03.02.2015 - 14:28

8. Culture and Norms in the Information Society: Identity, Gender and Social Interaction (DIKULT 106, Fall 2014)

   Culture and Norms in the Information Society: Identity, Gender and Social Interaction (DIKULT 106, Fall 2014)

   Alvaro Seica - 04.02.2015 - 13:17

9. Trends in Literary Studies: Narrative, Cognitive and Historical Perspectives

   In what ways can we renew Literary Studies? How far can new approaches be combined with existing ones?

   Alvaro Seica - 04.02.2015 - 16:11

10. compArt daDA: the database Digital Art

    The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.

    Alvaro Seica - 05.02.2015 - 10:32

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