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Electronic Visualization Laboratory (EVL)
The Electronic Visualization Laboratory (EVL) at the University of Illinois at Chicago is an interdisciplinary research laboratory specializing in the design and development of high-resolution scientific visualization and virtual-reality display systems, collaboration software, and advanced networking infrastructure.
(Source: http://www.evl.uic.edu/funding)
Alvaro Seica - 11.11.2014 - 19:46
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Labex Arts-H2H
The Laboratory of Excellence in Arts and Human Mediations is part of the “Investments for the future” program since 2011. As part of this program, its members conduct research following three main lines: situations, technologies, hybridization.
(Source: http://www.labex-arts-h2h.fr/en/presentation.html)
Alvaro Seica - 13.11.2014 - 23:24
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EnsAD
The École nationale supérieure des Arts Décoratifs was founded in 1766 and occupies a distinguished place in the history of creation, decorative arts, and design in France.
It was officially opened in 1767 by letter patent of King Louis XV. Its goal was to develop arts-related professions and thereby to increase the quality of industrial products. In 1823, it became the École royale de dessin et de mathématiques en faveur des arts mécaniques (the Royal school of drawing and mathematics to promote mechanical arts). Over time, its original goal became more precise and its ambitions better established.
(Source: http://www.ensad.fr/en/school/history)
Alvaro Seica - 14.11.2014 - 17:07
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Bad Quarto
Bad Quarto is Nick Montfort's micropress. The name of the press was first used on a publication in 2005; as of 2018, the press has its own site and has begun to publish work by others. Work published includes letterpress printed matter, a Web journal (Taper), limited-edition and unique books, and unique digital book objects.
Alvaro Seica - 03.02.2015 - 14:28
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compArt daDA: the database Digital Art
The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.
Alvaro Seica - 05.02.2015 - 10:32
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MATLIT: Materialities of Literature
MATLIT: Materialities of Literature is an open access, peer-reviewed, online journal published by Coimbra University Press and the Centre for Portuguese Literature at the University of Coimbra. The journal addresses the material and technological mediations of literary practices, with a particular focus on printness, digitality, aurality, and intermediality. The research fields covered by the journal extend from literary studies to comparative media studies and to digital humanities. MATLIT uses the following working languages: Portuguese, English, Spanish, French, and Italian. Adopting an interdisciplinary and transmedial perspective, the journal is organized into thematic issues. Each issue has its own Call for Papers.
(Source: http://iduc.uc.pt/index.php/matlit/about/editorialPolicies#focusAndScope)
Daniela Côrtes Maduro - 06.02.2015 - 22:58
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Universidade de Coimbra, FCT PhD Programme in Materialities of Literature
"Materialities of Literature" is the name of a PhD Programme of the University of Coimbra funded by the Portuguese Foundation for Science and Technology (FCT). Here follows an excerpt from the programme's presentation: "Changes in the technologies of communication over the past three decades have changed both the regimes of representation of media, and the regimes of representation based on the codes of writing. This modification opened up a new chapter in the critical theory of the materialities of communication, affecting research into literary forms of the past, as well as of the present. The purpose of this programme is to develop an emerging area of research dedicated to analyzing the materialities of literature – materialities of sound, voice, performance, image, book, writing, and also the digital materialities that define many contemporary literary practices and forms.
Alvaro Seica - 10.02.2015 - 14:43
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Bok og bibliotek
Norwegian journal for librarians, published six times a year. Subscriptions available on paper or PDF.
Jill Walker Rettberg - 17.02.2015 - 14:59
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APRJA
APRJA is an open-access research journal that addresses the ever-shifting thematic frameworks of digital culture. APRJA stands for “A Peer-Reviewed Journal About” and invites the addition of a research topic to address what is considered to be key aspects of contemporary digital art and culture (and thereby complete each journal title). We take a particular interest in software studies, media archaeology, platform politics, interface criticism, computational culture and artistic research.
As an open-access research journal, APRJA is freely available without charge to the user and his/her institution. Users are allowed to read, download, copy, distribute, print, search or link to the full text of the articles in this journal without asking prior permission to authors or the publisher (under a creative commons license).
Alvaro Seica - 25.02.2015 - 11:59
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Frónesis
A journal of the Centre d'Estudis Joan Maragall.
Alvaro Seica - 15.04.2015 - 16:46
