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1. TLT vs. LL

   The z dimension in this work is important to the conceptual as well
   as the physical operation of the work. Normally, I am not so much
   concerned beyond the xy. My work is first graphic, then literary,
   interactive, and whatever else, so a concern beyond 2D is not high
   priority – until now, and with thanks in part to Rita Raley’s z
   queries.
   The idea of 'versus' (as opposition) demands at the
   least two sides, so, it could be represented visually with just xy.
   Previous 'dual' examples (and these are xy representations):
       warnell.com/pbn_io/dialog04.htm. Subject: dialog
       Email from John Cayley (/w Rita Raley), 2004
       warnell.com/real/dialog.htm. Dialog
       Email exchange with visual poet Jim Andrews, 1997
   So, thinking along that z line... the opposition
   comes not from the left or right, but from back to front ( 1 white from
   9 x white moves to top )
   

   Rita Raley - 05.05.2011 - 14:56

2. Netochka Nezvanova

   Jodi’s aesthetic of contingent codes and user interfaces has been contrarily adapted as outright user enslavement. Using a comparable aesthetic of contingent and unintelligible code, the antiorp / integer / Netochka Nezvanova project turned the notion of proprietary software to its ultimate extreme. Dubbed by online magazine Salon.com the “most feared woman on the Internet,”10 N.N. turned up in the mid-1990s on various net.art and electronic musicrelated mailing lists and bombed them with messages written in a private code work language.

   (Source: Florian Cramer Words Made Flash//Code as cult)

   Natalia Fedorova - 30.01.2013 - 18:32