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  1. Ny litteraturdidaktik

    Ny litteraturdidaktik præsenterer en række nyskrevne artikler af danske litteraturforskere, som med udgangspunkt i deres egen forskning giver bud på en fornyelse af det didaktiske hvorforhvad og hvordan i litteraturarbejdet i skolen.   Ny litteraturdidaktik indeholder artikler af Poul Behrendt, Thomas Bredsdorff, Jan Fogt, Svend Erik Larsen, Anne-Marie Mai, Trine May, Gitte Mose, Lilian Munk Rösing, Svend Skriver og Bo Kampmann Walther.

    Jill Walker Rettberg - 18.06.2012 - 11:19

  2. Taroko Gorge Remixed: Repetition and Difference in Machine Texts

    In 2009 Nick Montfort wrote a short program--first in Python and later in Javascript--that generated an infinite nature poem inspired by the stunning Taroko Gorge in Taiwan. While Montfort never explicitly released the code of “Taroko Gorge” under a free software license, it was readily available to anyone who viewed the HTML source of the poem’s web page. Lean and elegantly coded, with self-evident algorithms and a clearly demarcated word list, “Taroko Gorge” lends itself to reappropriation. Simply altering the word list (the paradigmatic axis) creates an entirely different randomly generated poem, while the underlying sentence structure (the syntagmatic axis) remains the same. Very quickly Scott Rettberg remixed the original poem, replacing its naturalistic vocabulary (“crags,” “basins,” “rocks,” “mist,” and so on) with words drawn from what Rettberg imagined to be a counterpoint to Montfort’s meditative nature scene--a garage in Toyko, cluttered with consumer objects. J.R.

    Eric Dean Rasmussen - 18.06.2012 - 13:36

  3. Hyperrhiz 06: Visionary Landscapes

    This special issue of Hyperrhiz features work from ELO 2008: Visionary Landscapes, the Electronic Literature Organization's 2008 conference.

    Helen Burgess - 20.06.2012 - 19:58

  4. The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization

    The first experiments in digital literary forms started as early as
    the 1960s. From then, up to the mid-90’s, was a period that,
    according to Chris Funkhouser (2007), can be considered as
    a ‘laboratory’ phase. The rise of the Internet has resulted in the
    proliferation of creative proposals. The first involves indexing
    creative works in the form of databases, sometimes giving access
    to hundreds of works without any hierarchical order. Since 2000,
    digital literature has been experiencing a new phase, marked by
    the creation of anthologies. Over the years, the evaluation and
    selection criteria have proved to be as problematic as they are
    necessary for these projects. The main issue of this paper is to
    provide a critical discussion of these criteria.

    Eric Dean Rasmussen - 22.06.2012 - 16:40

  5. Performing the Digital Archive: Remediation, Emulation, Recreation

    The aim of ‘PO.EX '70-80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This paper shows how the performativity of digital archiving and recoding is explored through the remediation, emulation and recreation of works in the PO.EX archive. Preservation, classification and networked distribution are also discussed as editorial and representational problems within the current database aesthetics in knowledge production. (Project reference: PTDC/CLE-LLI/098270/2008).

    Eric Dean Rasmussen - 22.06.2012 - 16:42

  6. After 391: Picabia's early multimedia experiments

    This essay attempts to answer a simple question: why did Francis Picabia stop publishing 391? By October 1924, when the final issue was published, 391 was the longest running magazine related to dada and the burgeoning surrealist movement, and Picabia was well established as one of the premiere avant-gardists in Paris and beyond, with literary, artistic and personal connections to all the major players in the movements that had turned the art world upside down for almost a decade. What caused him to suddenly cease publication of his provocative (but well respected) journal?

    (Source: author's abstract.)

    Chris Joseph - 27.06.2012 - 07:34

  7. konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature

    Interview with Johannes Auer to be published in Concrete Poetry: An International Perspective. Edited by Claus Clüver and Marina Corrêa. (forthcoming)

    Patricia Tomaszek - 19.07.2012 - 13:59

  8. Remediating the Social

    The print version of the conference proceedings for Remediating the Social, the final conference of the ELMCIP project. An ebook version also exists and is freely downloadable.

    Elisabeth Nesheim - 10.08.2012 - 13:21

  9. Framing Embodiment in General Purpose Computing

    M.A. Thesis, 94 pages

    Elisabeth Nesheim - 20.08.2012 - 02:07

  10. Computer-Mediated Collaborative Writing

    Many different kinds of works of literature, text works, or text-inclusive performances have been created in computer-mediated collaborative systems, and computer-mediated collaborative writing projects are an integral approach to new media writing. Examples range from a few writers working together with the same authoring system to global telecommunications projects where writers, artists and readers contribute to a work from many nodes around the world.

    Source: Introduction (Narrabase)

    Patricia Tomaszek - 23.08.2012 - 13:45

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