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From Concrete to Digital: The Reconceptualization of Poetic Space
It has almost become self-evident in the critical discourse on digital poetry to assess digital poetry as a continuation of an experimental tradition with its origins in the historical and the neo-avant-garde. Critics such as Friedrich W. Block and Roberto Simanowski in particular read contemporary digital poetry explicitly as extension and continuation of concerns of the avant-garde and concrete poets.
Block points out that almost all vital concerns of digital poetry can be traced back to its historical predecessors. He names the reflection upon the concrete language material, the transgression of genre boundaries, multilinearity and the exploration of spatial structures, movement and interactivity as key strategies which are vital concepts in historical avant-garde, concrete and digital poetry. Digital poetry is frequently, and I believe correctly, assigned to the wider trajectory of experimental/avant-garde poetry in many other studies as well. It is often considered as a third stage, contemporary continuation and further development of earlier experiments.
Patricia Tomaszek - 14.09.2010 - 14:43
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Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present
"Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present"
Literature in computer-based media cannot be contemplated without a long literary tradition.
This article aims at substantiating this assumption with numerous examples of combinatory,
hypertextual and collaborative texts from German literary history since baroque
times. Therewith it provides us with a historical basis in order to work out the common
features and differences that with computers have entered literary texts.Source: author's abstract in book publication
Jörgen Schäfer - 28.06.2011 - 14:58
