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Electronic Literature Publishing and Distribution in Europe
A preliminary presentation of Publishing E-Lit in Europe, a report detailing efforts to systematically survey and analyze the publication of electronic literature within Europe. Due to the immensity of their investigation and the limitations on what two researchers could achieve in three months' time, the authors emphasized that their report was a work in progress: at this point, they had been able to collect primary data about the publications, portals, collections, contests and other forums that supported the creation and distribution of electronic literature in Europe. The revised version of the report would feature more content analysis - of the type of material published and trends that distinguished various e-lit communities writing within specific linguistic and cultural traditions.
Eric Dean Rasmussen - 05.04.2011 - 11:37
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'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics
In this keynote for the Digital Poetics and the Present seminar, RIta Raley offers a reading of David Jhave Johnston's Sooth, a cycle of six video poems, where the reader's clicks draw out lines of poems superimposed on video that drifts around a natural scene. Raley argues that Sooth is emblematic of a recent shift in digital poetry towards a concern with ecology, where non-human actors are animate and lively. She describes this as a step away from the intense focus on the code, the technical and computational processes that dominated digital poetry at the start of the last decade. Jhave's project, Rita Raley argues, is to create digital poems that respond as though they are animate, alive. This isn't about artificial intelligence or simply about emulating life but about prompting (in us, the readers) an embodied recognition of life.
Jill Walker Rettberg - 09.12.2011 - 10:45
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Weapons Of The Deconstructive Masses: Whatever the Electronic in Electronic Literature may or may not mean
This piece is an attempt to hasten the death of the 'electronic' in 'electronic literature' — to re-cognize it as a dead metaphor — as the prelude to an agonistic meditation on my generation's anticipation of the death of literature itself, with 'the literary,' potentially, waiting in the wings (and published elsewhere, elsewhen, elsehow).
(Source: Author's abstract)
Respondents at 2008 ELO Conference
Joe Tabbi
University of Illinois Chicago, USAScott Rettberg
University of Bergen, NorwayStuart Moulthrop
University of Baltimore, USAJill Walker Rettberg - 09.10.2012 - 21:00
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The E-ssense of Literature
Many works of electronic literature use text generation algorithms or interactive interfaces to present the reader with a different text upon each reading. Such variable texts can be difficult to analyze and discuss because it can be prohibitively difficult to take into account all possible permutations. The standard critical methodology for approaching these texts is to discuss excerpts from different readings, perhaps comparing passages that involve alternative renderings of the same textual content. While this approach can convey a general sense of the work and its possibilities for variation, it usually doesn't allow a thorough treatment of a complex work's structural framework. This essay presents a method for analyzing a work's source code to define the most important constant and variable properties of its constituent elements. It then applies the method to a generated electronic poem, "Snaps," by Dirk Hine. The source structure thus defined provides a springboard for critical interpretation of the work.
Jill Walker Rettberg - 09.10.2012 - 21:12
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The Distributed Author: Creativity In the Age of Computer Networks
The Distributed Author: Creativity In the Age of Computer Networks
Jill Walker Rettberg - 09.10.2012 - 22:50
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Entity/Identity: A Tool Designed to Index Documents about Digital Poetry
Entity/Identity: A Tool Designed to Index Documents about Digital Poetry
Patricia Tomaszek - 10.10.2013 - 21:48