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1. Tripp trapp tresko i cyberspace

   Dette er en anmeldelse av Juliet Ann Martins diktsyklus oooxxxooo. Juliet Ann Martin er skjermkunstner. Diktene hennes finnes ikke i trykt utgave, de må leses på skjermen. Hvis du vil, kan du lese dem nå. Du kan bruke back knappen i nettleseren din for å komme tilbake til denne anmeldelsen. Back knappen kan også være nyttig når du skalfinne frem og tilbake i anmeldelsen. Hvis du ikke liker labyrinter, finnes det en veiforklaring. Men prøv labyrinten først.

   Jill Walker Rettberg - 24.03.2011 - 23:31

2. Aya Karpinska and Daniel C. Howe

   This case study was originally prepared for, but does not appear in, New Directions in Digital Poetry (New York: Continuum, 2012); see http://newdirectionsindigitalpoetry.net

   Source: footnote 2 to the article

   Patricia Tomaszek - 06.09.2012 - 22:54

3. Lift This End: Electronic Literature in a Blue Light

   Taking recent writings-of-internet as test cases, Stuart Moulthrop demonstrates the folly of deploying modernist compositional models, even avant-garde theories of citational and conceptual poetry recently popularized by Kenneth Goldsmith and the Flarf poets, to read born-digital writing. Though it may be fun, it's ultimately futile to interpret the contingent output of an "interface in process" as a poem existing in a fixed, terminable state. Perhaps, then, interfacing with databases is becoming integral to not just electronic literature and digital poetics but all forms of literary study and practice? (Source: EBR)

   Jill Walker Rettberg - 23.08.2013 - 12:37

4. Born Digital

   “E-poetry relies on code for its creation, preservation, and display: there is no way to experience a work of e-literature unless a computer is running it—reading it and perhaps also generating it.” Stephanie Strickland outlines 11 rules of electronic poetry.

   Ana Castello - 02.10.2018 - 13:20