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1. Things Rarely Turn Out the Way I Intend Them To

   A version of this illustrated article about creative process was given by J.R. Carpenter as a Keynote Address at the New Media Writing Prize Award Event at Bournemouth University in January 2017.

   J. R. Carpenter - 30.06.2017 - 12:25

2. Networks of Collaboration and Creation in Latin American Digital Literature

   In her article "Networks of Collaboration and Creation in Latin American Digital Literature" Carolina Gainza examines how production and reception of literature have been affected by digital technology, with special emphasis on issues related to Latin American digital literature. Gainza analyzes Jaime Alejandro Rodriguez's Narratopedia, Doménico Chiappe's La Huella de Cosmos, and Leonardo Valencia's and Eugenio Tiselli's El Libro Flotante in order to highlight collective practices of creation involved in digital productions. Through the discussion of these issues, Gainza offers an overview of ongoing changes wrought by digital technology in contemporary Latin American digital culture.

   Jill Walker Rettberg - 05.01.2018 - 06:08

3. A NOTE FROM THE EDITORS (Fall 2017)

   The New River has been around for over 20 years, and in that time the digital world, and our readers' familiarity with that world, has changed drastically. In this year's Spring issue we take a moment to appreciate what still works from back in the early days of new media and the possibilities offered to us by its future.

   We have been lucky enough to receive submissions from several past contributors this reading period, and have a pretty packed issue.

   (Source: https://www.cddc.vt.edu/journals/newriver/17Fall/editor.html)

   Lucila Mayol Pohl - 17.10.2020 - 15:33

4. Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa

   This article considers the intersection between African oral tradition and electronic literature by exploring the potential of Sankofa to interact with concrete poetry in an electronic space. Sankofa is an example of the Adinkra, a set of symbols that were originally created and used by the Akan in West Africa. These symbols have literary value which this article looks at in ways similar to concrete poetry; examining Sankofa as concrete poetry in an electronic context enables a simultaneous dovetailing with as well as convergence from oral and print based modes of engaging with the text: aspects of oral tradition influence this exploration. 

   Jill Walker Rettberg - 27.06.2022 - 18:53