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Memory and Motion: The Body in Electronic Writing
Maria Angel and Anna Gibbs explore the new materialism of the corporeal body in electronic writing and online environments. They argue that electronic environments have a strong relationship with affective modes of communication highlighted by their appeal to sensory novelty through technological innovation—new media platforms proliferate the potentials for combining visibility with aural and tactile modes. Their essay argues for a new materialism in electronic culture, one that has serious implications for the way that we understand memory.
(Source: Beyond the Screen, introduction by Jörgen Schäfer and Peter Gendolla)
Scott Rettberg - 23.05.2011 - 11:17
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Why Digital Literature Has Always Been “Beyond the Screen”
Andrew Michael Roberts demonstrates that digital literature has always been beyond the screen. In many of the practices and framing ideas of electronic literature, he identifies recurrences of key conceptions of modernism and postmodernism such as literalization, enactment, difference, movement, etc. Nonetheless, as he argues, literature is embracing new forms of expression influenced by the evolving mediatechnological possibilities and the increased involvement of the recipient’s whole body.
(Source: Beyond the Screen, introduction by Jörgen Schäfer and Peter Gendolla)
Scott Rettberg - 23.05.2011 - 13:02
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A Town as a Novel: An Interactive and Generative Literary Installation in Urban Space
Balpe's essay details the conceptual background and implementation of his 2005 project Fictions d’Issy (Fictions of Issy) -- a generative narrative project installed in public spaces in the town of Issy, which included both narrative generated by Balpe's system and SMS contributions from passers-by.
Scott Rettberg - 24.05.2011 - 11:15
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"No Preexistent World": On "Natural" and "Artificial" Forms of Poetry
Peter Gendolla pursues a paradox accompanying the literary avant-garde from Romanticism to the most current electronic installations; namely, that they want to bring back the cold, dead culture into “natural” life and that they are doing this with the most advanced technological procedures. They become more and more “technical” with the impulse not only to dissolve the division of the genres but also to transfer art at least by way of literary means into “natural” forms of life; thus, they are continually developing new forms of aesthetic difference that have to be differentiated from either nature or culture.
Scott Rettberg - 24.05.2011 - 11:43
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Poesia [DIGITAL]: Ars Combinatória
Poesia [DIGITAL]: Ars Combinatória
Luciana Gattass - 09.10.2012 - 11:19
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Why Fi? Fidelidade 4k na Cidade Escalonável
Why Fi? Fidelidade 4k na Cidade Escalonável
Luciana Gattass - 23.10.2012 - 15:48
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Jogos e Vida: a Emergência do Lúdico na Cibercultura
Jogos e Vida: a Emergência do Lúdico na Cibercultura
Luciana Gattass - 23.10.2012 - 16:05
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Novas Indústrias Culturais da América Latina ainda Jogam Velhos Jogos: da República das Bananas a Donkey Kong
Novas Indústrias Culturais da América Latina ainda Jogam Velhos Jogos: da República das Bananas a Donkey Kong
Luciana Gattass - 23.10.2012 - 16:41
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Pós-Teatro: Performance, Tecnologia e Novas Arenas de Representação
A criação de nova arenas da representação com a entrada onipresente do duplo virtual das redes telamáticas (web-internet) amplifica o espectro da perfomance e da investigação cênica com novas circuitações, navegações de presenças e consciências na rede e criação de interescrituras de textos. Com uma imersão em novos paradigmas de simulação e conectividade, em detrimento da representação, a nova cena das redes, dos lofts, dos espaços conectados desconstrói os axiomas da linguagem teatro: atuante, texto, púbico – ao vivo, num único espaço, instaurando o campo do pós-teatro.
Luciana Gattass - 23.10.2012 - 17:21
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Música Visionária: Notas de Percurso (em Memória de Robert Moog)
Música Visionária: Notas de Percurso (em Memória de Robert Moog)
Luciana Gattass - 24.10.2012 - 12:07
