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Talking Cure
Talking Cure is an installation that includes live video processing, speech recognition, and a dynamically composed sound environment. It is about seeing, writing, and speaking — about word pictures, the gaze, and cure. It works with the story of Anna O, the patient of Joseph Breuer's who gave to him and Freud the concept of the "talking cure" as well as the word pictures to substantiate it. The reader enters a space with a projection surface at one end and a high-backed chair, facing it, at another. In front of the chair are a video camera and microphone. The video camera's image of the person in the chair is displayed, as text, on the screen. This "word picture" display is formed by reducing the live image to three colors, and then using these colors to determine the mixture between three color-coded layers of text. One of these layers is from Joseph Breuer's case study of Anna O. Another layer of text consists of the words "to torment" repeated — one of the few direct quotations attributed to Anna in the case study.
Eric Dean Rasmussen - 10.03.2011 - 10:20
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A Companion to Digital Humanities
This Companion offers a thorough, concise overview of the emerging field of humanities computing.
- Contains 37 original articles written by leaders in the field.
- Addresses the central concerns shared by those interested in the subject.
- Major sections focus on the experience of particular disciplines in applying computational methods to research problems; the basic principles of humanities computing; specific applications and methods; and production, dissemination and archiving.
- Accompanied by a website featuring supplementary materials, standard readings in the field and essays to be included in future editions of the Companion.
(Source: publisher's website)
Eric Dean Rasmussen - 10.03.2011 - 10:45
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Etang
Author Statement:
Patricia Tomaszek - 10.03.2011 - 12:13
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Judy Malloy
In the twenty-five years since she first wrote Uncle Roger on Art Com Electronic Network, Judy Malloy has created an innovative body of new media narrative poetry that in hypertextual structures explores the lives of artists. Beginning in the 1970's with a series of handmade visual books that sought to create a nonsequential reading experience, and including its name was Penelope, (Eastgate, 1993) her work has been featured in over one hundred curated exhibitions, invited readings and panels, and publiications including the San Francisco Art Institute; Tisch School of the Arts, NYU; Sao Paulo Biennial; Franklin Furnace; National Library of Madrid; the Los Angeles Institute for Contemporary Art; Target Video; SITE; Houston Center for Photography; The Walker Art Center; Visual Studies Workshop; Eastgate Systems; E-Poetry, Barcelona; Boston Cyberarts; Electronic Literature Organization; E.P.
Judy Malloy - 10.03.2011 - 20:10
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Gregory L. Ulmer
Gregory L. Ulmer is the author of Internet Invention: From Literacy to Electracy (Longman, 2003), Heuretics: The Logic of Invention (Johns Hopkins, 1994), Teletheory: Grammatology in the Age of Video (Routledge, 1989), and Applied Grammatology: Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Johns Hopkins, 1985). In addition to two other monographs and a textbook for writing about literature, Ulmer has authored numerous articles and chapters exploring the shift in the apparatus of language from literacy to electracy. His most recent book, Electronic Monumentality: Consulting Internet Memory, is forthcoming from the University of Minnesota Press.
Professor Ulmer’s media work includes two videos: “Telerevisioning Literacy” (Paper Tiger TV) and “The Mr. Mentality Show” (Critical Art Ensemble, Drift). He has given invited addresses at international media arts conferences in Helsinki, Sydney, and Hamburg, as well as at many sites in the United States.
Eric Dean Rasmussen - 11.03.2011 - 11:10
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l0ve0ne
L0ve0ne (Eastgate Web Workshop) was first told as an additive social networked story, on the Interactive Conference on Arts Wire, beginning in the fall of 1994. Each lexia was posted as a separate entry on the conferencing system. Portions of L0ve0ne were ported in different forms in servers all over the country, including the Arts Conference on The WELL. The story integrates hacker culture, early Internet technologies, a German "road trip"; and a love story that continues in Malloy's The Roar of Destiny. The first person is used, as it is in many of Malloy's other works, as a narrative device that not only effects the telling, in that it allows the writer to disclose the details of the main character's life in an intimate way, but also effects the reading, in that it situates the reader directly in the main character's life and environment.
Eric Dean Rasmussen - 14.03.2011 - 11:37
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The Ed Report
The Ed Report is a hypertextual US government document, describing the covert military exploits of a technical writer named Ed. (The coincidentally-named Ed Commission produced this once top-secret report.) Epic hero Ed leaves off his ordinary life - in which he writes software documentation, takes care of his autistic younger brother, and pursues early Near Eastern scholarship - as he is pressed into service as an Akkadian code-talker during an undercover operation in Colombia.
Eric Dean Rasmussen - 14.03.2011 - 12:34
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exquisite_code
exquisite_code is an algorithmic performance system for heterogeneous groups of writers. The writers generate prompts and responses for var1 minute session at the end of which computational devices select/mangle text according to var2 edit. Mangled text outputs get displayed to writers who, in unrelenting sessions, generate further prompts and responses, with chunk on chunk piled up to create a c[ad]aver[n]ous exquisite_code life-work.
(Source: Work website.)
Eric Dean Rasmussen - 14.03.2011 - 13:38
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Marginalia in the Library of Babel
"Marginalia in the Library of Babel" presents a metafictional, metahypertextual narrative about one man's discovery of his ability to write in the margins of the Internet, to finally make his marks on the infinite network, marks that will ultimately lead to his erasure.
The piece is written through annotations written upon web pages archived from the Internet all related to Borges and the many implementations of his work, partial and abandoned though they be, that litter the Internet.
(Source: Author's description)
Mark Marino - 14.03.2011 - 22:31
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Stravinsky's Muse
"Stravinsky's Muse" is a flash-based hypertext that offers a lexical sphere as a set of dials for accessing the narrative via the semantic constructs in the mind of its protagonist, Stravinsky Jones. Each segment of narrative is complemented by a definition of one of the chosen terms in the form it takes in Jones' lexicon.
Mark Marino - 14.03.2011 - 22:49
