Search
The search found 12 results in 0.009 seconds.
Search results
-
Spawn
Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.
Eric Dean Rasmussen - 11.02.2011 - 16:45
-
Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.
"I Erikssons verk 'Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.' försvinner röstens ljudregister och kvar finns tysta men likafullt artikulerande munnar stående på rad i glasburkar likt vetenskapliga, mystiska bevis som kan dissekeras och studeras närmare, men som ändå inte avslöjar sina hemligheter" (ur Maria Engbergs essä i nummer 48 av Pequod, samma nummer som Erikssons dikt publicerades i).
Maria Engberg - 06.08.2011 - 20:33
-
Agrippa (A Book of the Dead)
William Gibson wrote the linguistic text of the poem, artist Dennis Ashbaugh created the art for the book, an anonymous “hacker” programmed the e-poem, and publisher Kevin Begos, Jr. orchestrated the collaboration. The result was two limited edition artist’s books (printed on photo-sensitive paper that would fade after an initial reading) that came with a 3.5” disk with a program that would display the poem once (as seen in the video above) and self-destruct. (Source: Leonardo Flores, I ♥ E-Poetry)
Eric Dean Rasmussen - 13.09.2011 - 14:51
-
Enter:in' Wodies
Enter:in' Wodies is the intermedial installation, where the person interacts with the work via motion sensing input device Kinect. The main idea is to imagine the person, whose interiour you would desire to read. You can choose from two models – man or woman. After the first text that explains the initiation to enter other person, you interact with the work by choosing the body parts by touching with your hands the imaginary being. The body parts refer to seven organ systems. To reveal the poems connected with the particular human biological systems, you have to make movements with your hands to uncover the words (interaction area is defined by your physical distance of hand from the sensor). The revelation of each part brings about the biological image of its cell textures, of the music (which has its unique corresponding sound that goes with the main melody) and of the poetic text about the system's exceptionality. After having read all the pieces, the final text appears that informs about your leaving the other person's body.
Zuzana Husarova - 30.09.2011 - 17:04
-
Tantderêves
Tantderêves, a brief poem made with Flash animation, in which, in a background of lines of letters generating at a high speed there is a selection of those -in white-which are going to constitute the verses of a poem. The poet shares a dialogue with the machine, he asks him questions, and this answers with a verse by Paul Éluard: "Tant de rêves dans l'air". The multimedia format preserves perfectly the poetical content that Valdeolmillos intends to transmit, everything takes place in the screen in a background of harmony between typography, color and movement. A clear example of how to integrate the poetic word with a cybernetic machine.
Sandra Hurtado - 06.12.2011 - 14:22
-
Eight Was Where It Ended
The piece is a short poem written using a nested series of file folders on a computer desktop. The process of composition is animated, with a total run time of two and a half minutes followed by a pause before repeating. A scripting agent running on the command line controls a Finder window view of the desktop as folders are created, renamed, reshuffled, and nested within one another, forming the poem. What is presented is not a video recording - it runs live on the desktop file system in the gallery. The viewer watches as the poem is written in folders, expands, is dated and sorted into its final form, and finally disappears to start again.
The work "Eight was where it ended" explores one story from the community of "Angel Baby" mothers - online communities dedicated to grieving for their unborn children in ways not afforded by society at large. It explores this identity position through the medium of digital file systems, in particular their embedded modes of representing temporality, the visible, and the hidden.
Eric Dean Rasmussen - 23.04.2012 - 14:05
-
Interspecies and Random/Electronic-Poetry. From “Black on Sheep” (Bovine poem) to “Robot-poem@s”
This presentation will explore random e-poetry and interspecies based on two electronic works: one that intersect humanity and insect-like robotics titled “Robot-poem@s”, and an eproject/poem based on a performance with sheep: “Negro en ovejas/Black on Sheep.” Robotpoem@s consist of insect-like robots (five quadrupeds and a bigger hexapod) whose legs and bodies are engraved with the seven parts of a poem written from the robot’s point of view in bilingual format (Spanish and English). Binary constructs such as creator/creature are questioned by these creatures purposely chosen from open-source models resembling insects and spiders, thus emphasizing anxiety and removal from humans while underlying the already problematic relation between humans and technology. The final segment of the poem, number VII, rephrases the biblical pronouncement on the creation of humans, as perceived by the robot: “According to your likeness / my Image.” With this statement, the notion of creation is reformulated and bent by the power of electronics, ultimately questioning its binary foundations.
Vian Rasheed - 18.11.2019 - 15:26
-
Sonnet Corona
“Sonnet Corona” is a generated monometer poem that generates 4782969 possible texts.
Nick Montfort - 16.06.2020 - 23:21
-
In de storm van zo straks
In an empty landscape a storm is announced by uprising sand, moving objects, silent people and a traffic jam on a narrow road.
David Peeters - 21.05.2021 - 13:17
-
Wachtwoord Marco Polo
K. Michel en Dirk Vis maakten een gedicht in de vorm van een interactief landschap. Fietsen, letters en de mijmeringen van een treinreizigster schieten voorbij.
David Peeters - 21.05.2021 - 15:37
