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1. Anne Frances Wysocki

   Anne Frances Wysocki

   Eric Dean Rasmussen - 10.02.2011 - 18:12

2. Marc Voge

   Young-Hae Chang Heavy Industries

   Eric Dean Rasmussen - 12.02.2011 - 18:30

3. Jessica Pressman

   Jessica Pressman researches and teaches twentieth- and twenty-first century experimental American literature, digital literature, and media theory. She is currently a Fellow with the American Council of Learned Societies and a Visiting Scholar and Lecturer at UCSD. She was Assistant Professor of English at Yale University (2008-2012) and received her Ph.D. in English from UCLA (2007). Her monograph on digital poetics, Digital Modernism: Making it New in New Media, is forthcoming from Oxford University Press (2014); Reading Project: a Collaborative Interpretation William Poundstone’s Digital Literature, co-written with Mark C. Marino and Jeremy Douglass, is under contract with Iowa University Press; Comparative Textual Media: Transforming the Humanities in a Postprint Era, co-edited with N. Katherine Hayles, is forthcoming with Minnesota University Press (2013). She is currently working on a manuscript that examines the fetishization of the book object in 21st-century print and digital literary culture.

   Eric Dean Rasmussen - 14.02.2011 - 09:58

4. Hyperworks: On Digital Literature and Computer Games

   This study investigates the effects of digitization on literature and literary culture with focus on works of literary fiction and other kinds of works inspired by such works. The concept of "hyperworks" refers to works intended to be navigated multisequentially, i.e. the users create their own paths through the work by making choices. The three articles that make up the dissertation include analyses of individual works as well as discussions of theoretical models and concepts. The study combines perspectives from several theoretical traditions: narratology, hypertext theory, ludology (i.e. game studies), sociology of literature, textual criticism, media theory, and new media studies. This study investigates the effects of digitization on literature and literary culture with focus on works of literary fiction and other kinds of works inspired by such works. The concept of “hyperworks” refers to works intended to be navigated multisequentially, i.e. the users create their own paths through the work by making choices. The three articles that make up the dissertation include analyses of individual works as well as discussions of theoretical models and concepts.

   Jill Walker Rettberg - 14.02.2011 - 14:38

5. Electronic Literature Collection, Volume Two

   A Creative-Commons licensed anthology collecting sixty-three works of electronic literature that can be browsed by author, title, and keyword. Contributions are from the following: Countries: Austria, Australia, Catalonia, Canada, Colombia, France, Germany, Israel, The Netherlands, Portugal, Peru, Spain, United Kingdom, United States of America Languages: Catalan, Dutch, English, French, German, Portuguese, Spanish Formats: Flash, Processing, Java, JavaScript, Inform, HTML, C++

   Eric Dean Rasmussen - 18.02.2011 - 18:11

6. Mark C. Marino

   Mark C. Marino is a writer and scholar of digital literature living in Los Angeles. He is the Director of Communication of the Electronic Literature Organization (http://eliterature.org). His works include “Living Will,” “a show of hands,” and “Marginalia in the Library of Babel.” He was one of ten co-authors of 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (http://10print.org) and is a collaborator with Jessica Pressman and Jeremy Douglass on the forthcoming Reading Project: A Collaborative Analysis of William Poundstone's Project for Tachistoscope {Bottomless Pit}. He is currently working with his two childrenon a series of interactive children's stories entitled Mrs. Wobbles and the Tangerine House. He is an Associate Professor (Teaching) at the University of Southern California where he directs the Humanities and Critical Code Studies (HaCCS) Lab (http://haccslab.com). His complete portfolio is here: http://markcmarino.com

   Eric Dean Rasmussen - 18.02.2011 - 19:01

7. Alan Bigelow

   Alan Bigelow writes digital stories and poems for the web. These stories are created for viewing on the web, although they can be (and have been) shown as gallery installations.

   He was the 2011 winner of the BIPVAL international Prix de Poésie Média. His work, installations, and conversations concerning digital fiction and poetry have appeared in Turbulence.org, Rhizome.org, SFMOMA (Open Space),  Los Angeles Center for Digital Arts, 14th Japan Media Arts Festival (The National Art Center, Tokyo), FAD, VAD, FreeWaves.org, The Museum of New Art (MONA, Detroit), Art Tech Media 2010, FILE 2007-2011, Blackbird,
   Drunken Boat, IDEAS, New River Journal, Hallwalls Contemporary Arts Center, and elsewhere.

   Recently, in addition to teaching full-time at Medaille College, he was a visiting online lecturer in Creative Writing and New Media at De Montfort University, UK.

   You can see Alan Bigelow's work at http://www.webyarns.com.

   Eric Dean Rasmussen - 18.02.2011 - 19:12

8. David Jhave Johnston

   David (Jhave) Johnston is a poet-videographer-programmer-composer. He exhibits work online and in physical venues.

   Note: Work is often attributed to Jhave, a pseudonym.

   Eric Dean Rasmussen - 18.02.2011 - 19:22

9. Jaime Alejandro Rodríguez

   Columbian writer who has published both electronic literature and traditional fiction. Originally an engineer, he is now a professor of literature.

   Eric Dean Rasmussen - 18.02.2011 - 19:29

10. Eugenio Tisselli

    Eugenio Tisselli is a programmer and digital artist. He is Professor and Co-director of the Master in Digital Arts and the Pompeu Fabra University, Barcelona. His fields include digital narratives, interface design, and digital ethnography. 

    (Source: Regards Croisés: Perspectives on Digital Literature, West Virginia University Press, 2010.)

    Eric Dean Rasmussen - 18.02.2011 - 19:30

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