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1. Corporate Poetry

   Earlier this year, I started corporate poetry as an exploration into how corporate language related to that other corpora that is our body. Through a series of interactive “rooms,” this work aimed to repurpose the language of a variety of familiar online forms and platforms (Google Forms, Survey Monkey, Zoom and Qualtrics, among others) in order to domesticate the neoliberal intent of these data gathering technologies.

   (Source: http://thenewriver.us/room-1-and-room-2/)

   Alex Saum - 18.09.2020 - 21:50

2. #YouTubers

   #YouTubers

   Alex Saum - 18.09.2020 - 22:00

3. Rats and Cats :: Katter Og Rotter

   A blind date between an American epidemiologist and a Norwegian woman takes place on a transatlantic Skype call. In trying to impress his potential paramour, the American steers the conversation terribly wrong, toward a discussion of the Plague and all the devastating historical memories it entails.  
   Rats and Cats :: Katter Og Rotter is a film by Roderick Coover and Scott Rettberg. The film is designed both installation (loop) and single channel screening. It is the second in a series of works about memory, desire, catastrophe, and translation. Rats and Cats :: Katter Og Rotter features the voices of Jill Walker and Rob Wittig. The sound technician was Joseph Kramer. The work was made possible in part with funding from the Philadelphia Independent Film and Video Association.

   Lucila Mayol Pohl - 02.10.2020 - 13:10

4. We Knew The Glass Man

   We Knew The Glass Man

   John McDaid - 05.10.2020 - 22:41

5. Standing By The Wall

   Standing By The Wall

   John McDaid - 05.10.2020 - 23:00

6. Objects (series)

   Objects is a series of digital literary art (using Processing code, video and gif animation). The different pieces have the common theme of addressing issues concerning domestic violence and constitutional rights, prejudice and behaviour towards women, questions of sexual identity and social roles.

   Lucila Mayol Pohl - 08.10.2020 - 11:15

7. Memorias Construidas (Constructed Memories)

   My work explores translation, transformation, personal memories, and the creation of fragmentary states of being through the reverence for colors and shapes found in Mola textiles made by the Kuna women native to Guna Yala, Panama.

   The mola is a product of acculturation, the balancing of two cultures while assimilating to the prevailing culture of the society, and continues to exist because of tribal tradition. These textiles could have never developed without the cotton cloth, needles, thread, and scissors acquired by trade from ships that came to barter for coconuts during the 19th century.

   The materials I am attracted to using in my work have vibrant, vivid colors and bold, graphic prints reminiscent of the Mola textiles that also consist of acquired commercial fabrics. The coming together of many different materials is an integral part of my work. Not only because the materials I work with are in limited quantities but also because this process is reflective of my upbringing in Miami, where I was surrounded by a variety of cultures and people living together.

   Lucila Mayol Pohl - 08.10.2020 - 12:26

8. Nous n'avons pas compris Descartes

   Nous n'avons pas compris Descartes

   viniciuscarpe - 15.10.2020 - 18:13

9. Oratorio

   Oratorio

   viniciuscarpe - 15.10.2020 - 18:23

10. Pope Lost Hope

    Pope Lost Hope

    Yohanna Joseph Waliya - 25.11.2020 - 17:46

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