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1. Word Museum

   Word Museum

   Rita Raley - 05.05.2011 - 15:02

2. five by five

   This series of spatially combinatorial poems are built by arranging words on a five by five three-dimensional grid, using the same engine as in “I, You, We.” Readers can manipulate the object in several ways, zooming in and out and rotating the cube to allow certain phrases to come to the foreground and be read. There is always a word around which the rest of the cube rotates, giving it special meaning within the potential phrases the cube can produce.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Rita Raley - 05.05.2011 - 15:12

3. Electronic Literature (English 146)

   Electronic Literature (English 146)

   Rita Raley - 05.05.2011 - 16:00

4. An Interview with David Knoebel on "Heart Pole"

   An Interview with David Knoebel on "Heart Pole"

   Patricia Tomaszek - 05.05.2011 - 16:07

5. Lascaux.Symbol.ic

   Lascaux.Symbol.ic

   Rita Raley - 05.05.2011 - 16:10

6. _The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_

   _The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_

   Rita Raley - 05.05.2011 - 23:22

7. PO.EX '70-­80: The Electronic Multimodal Repository

   Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

   Scott Rettberg - 20.05.2011 - 13:28

8. Bearing the Fruits of E-­Poetry: A Personal Decennial View

   Bearing the Fruits of E-­Poetry: A Personal Decennial View

   Scott Rettberg - 20.05.2011 - 13:35

9. The Surface Materiality: Performing Generative Writing

   The Surface Materiality: Performing Generative Writing

   Scott Rettberg - 20.05.2011 - 13:38

10. Electronic Publishing

    Electronic Publishing

    Scott Rettberg - 20.05.2011 - 13:56

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