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1. True North

   This description comes from Rebooting Electronic Literature Volume 2:

   Stephanie Strickland's True North came out in 1997 in two formats. First, it was published as a print book of poetry by the University of Notre Dame Press and won––that same year––the Poetry Society of America's Alice Fay Di Castagnola Award and the Ernest Sandeen Poetry Prize. It also appeared as a hypertext poem released on floppy disk for both PC and Macintosh computers by Eastgate Systems, Inc. As Strickland states in her “Prologue,” work on True North began in 1995 at N. Katherine Hayles's National Endowment for the Humanities Summer Seminar but originally was conceived over a decade earlier when, influenced by the writings of Simone Weil, she developed an interest in finding a woman’s language.

   The editions and versions include:

   Print Edition

   Jill Walker Rettberg - 14.01.2011 - 12:11

2. About Time

   A digital interactive hypertext fiction in two braided paralell paths.

   Scott Rettberg - 11.05.2012 - 15:29

3. Gravity Clock

   Gravity clock visualizes the passage of time by the permanent destruction and reconstruction of the clock-face. Every second the hand breaks numbers out of the dial and lets them drop to the floor where they get buried by the following numbers and eventually wither away to make room for the endless succession of time.

   Scott Rettberg - 07.10.2012 - 21:18

4. ISEA2015 Disruption

   ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation, error, and the destructive and creative forces of the new. Disruption contains both blue sky and black smoke. When we speak of radical emergence we must also address things left behind. Disruption is both incremental and monumental. In practices ranging from hacking and detournement to inversions of place, time, and intention, creative work across disciplines constantly finds ways to rethink or reconsider form, function, context, body, network, and culture. Artists push, shape, break; designers reinvent and overturn; scientists challenge, disprove and re-state; technologists hack and subvert to rebuild. Disruption and rupture are fundamental to digital aesthetics. Instantiations of the digital realm continue to proliferate in contemporary culture, allowing us to observe ever-broader consequences of these effects and the aesthetic, functional, social and political possibilities that arise from them.

   Alvaro Seica - 03.09.2015 - 21:31

5. UU First Humanities Student Conference: Time and Temporality

   UU First Humanities Student Conference: Time and Temporality

   Hannah Ackermans - 29.11.2016 - 15:41