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1. Cybertekst: Metodologia i interpretacja

   Fragments from a dissertation written under the guidance of of prof. P M. Markowski and defended at the Jagiellonian University 17 March 2010. Section "Cybertekst, ie, the text-machine."

   Jill Walker Rettberg - 25.02.2011 - 12:28

2. Cybertext Killed the Hypertext Star

   Cybertext Killed the Hypertext Star

   Eric Dean Rasmussen - 01.09.2011 - 14:14

3. New Media Poetry and Poetics

   LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Tim Peterson and he’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)

   Eric Dean Rasmussen - 02.09.2011 - 10:30

4. In the Event of Text

   In the Event of Text

   Eric Dean Rasmussen - 21.06.2012 - 12:39

5. Writing with the Code - a Cybertextual Poetics

   I propose a digital poetics, which focuses on the possible digital transformations of writing and reading with examples from current cybertextual literature. The paper discusses how programming structures (algorithms, cybernetics, object oriented programming, hypertext) can be interpreted as literary forms. The outcome is a literary way to read programming structures and a discussion of a digital literary poetics.

   Jill Walker Rettberg - 09.10.2012 - 22:35

6. Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City

   Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City

   Patricia Tomaszek - 29.06.2013 - 10:23

7. Transdução: Processos de Transferência na Literatura e Arte Digitais

   Electronic Literature and Digital Art share many processes, themes, creative and theoretical guidelines. In this sense, I developed a critical framework that could resist to a hyperdisciplinary analysis and include one of the characteristics of this sharing pattern: the transfer and transformation processes. In order to recognize these processes I have done an approach of the transduction concept that could perform a theoretical migration on these aspects: the transducer function. Thus, the transducer function appears in the critical analysis of the works by Mark Z. Danielewski, Stuart Moulthrop, R. Luke DuBois and André Sier. The selected works are representative of the following genres: novel, hyperfiction, net.art and digital installation, drawing on phenomena and concerns resulting from the creative production within the digital culture. In this research I have enhanced mechanisms, patterns, languages and common grounds: authorship, user, cybertext, surface, hypertext, infoduct, interactivity, pixel, algorithm, code, programming, network, software and data. (Source: Author's abstract)

   Alvaro Seica - 15.08.2013 - 15:59

8. New Media Poetry: Poetic Innovation and New Technologies

   States that new media poetry integrates characteristics of the new media in the theoretical basis of its poetics. Outlines its basis and shows how it affects poetic and verbal conventions, particularly with respect to the constitution of texts and the roles of author and reader, and with regard to its implications for views on language. (Source: Eric database)

   Alvaro Seica - 27.08.2013 - 14:06

9. Contributos para uma Teoria Quântica do Cibertexto

   A number of epistemological assumptions of quantum theory in its approach to the natural world (virtuality/actuality, interaction observer/observed, unpredictability and statistical causality, wave-particle duality, the notion of information, etc.) are surprisingly close to the properties shown by the new digital textualities born with the computer age, and here generically referred to as «cybertext». The purpose of this paper is to explore a connection between the quantum model and the semiotic model, not so much to reveal a simple homology, but rather to suggest a unified vision underlying the approach to the various levels of reality (material, biological, mental, cultural and spiritual). This connection between the quantum view of matter and cybertext is terminally focused on unifying the triadic concepts of matter/energy/information with the key concepts of the semiotic triangle signifier/signified/meaning (or, in the domain of aesthetics, TAC: technology/art/consciousness).

   (Source: Author's abstract)

   Alvaro Seica - 10.10.2013 - 11:57

10. Med literaturo in novomedijsko umetnostjo: sonetoidni spletni projekti Vuka Ćosića in Tea Spillerja

    Franco Moretti’s notion of “distant reading” as a complementary concept to “close reading,” which has emerged alongside computer-based analysis and manipulation of texts, finds its mirror image in a sort of “distant” production of literary works—of a specific kind, of course. The paper considers the field in which literature and new media creativity intersect. Is there such a thing as literariness in “new media objects” (Manovich)? Next, by focusing on the websites that generate texts resembling and referring to sonnet form, the article asks a question about the new media sonnet and a more general question about new media poetry. A mere negative answer to the two questions seemingly implied by Vuk Ćosić’s projects does not suffice because it only postpones the unavoidable answer to the questions posed by existing new media artworks and other communication systems. Teo Spiller’s Spam.sonnets can be viewed as an innovative solution to finding a viable balance between the author’s control over the text and the text’s openness to the reader-user’s intervention.

    Scott Rettberg - 16.10.2013 - 16:19

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