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O Motor Textual: Livro Electrónico Infinito
O Motor Textual: Livro Electrónico Infinito
Alvaro Seica - 03.12.2013 - 10:25
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The Official World
The Official World
Eric Dean Rasmussen - 27.04.2018 - 16:02
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Networks without a cause: A critique of social media
Networks without a cause: A critique of social media
Hannah Ackermans - 06.08.2019 - 10:36
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Truth and Method
Gadamer draws heavily on the ideas of Romantic hermeneuticists such as Friedrich Schleiermacher and the work of later hermeneuticists such as Wilhelm Dilthey. He rejects as unachievable the goal of objectivity, and instead suggests that meaning is created through intersubjective communication.
Hannah Ackermans - 07.09.2020 - 14:10
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Critical Code Studies
Computer source code has become part of popular discourse. Code is read not only by programmers but by lawyers, artists, pundits, reporters, political activists, and literary scholars; it is used in political debate, works of art, popular entertainment, and historical accounts. In this book, Mark Marino argues that code means more than merely what it does; we must also consider what it means. We need to learn to read code critically. Marino presents a series of case studies—ranging from the Climategate scandal to a hactivist art project on the US-Mexico border—as lessons in critical code reading.
Marino shows how, in the process of its circulation, the meaning of code changes beyond its functional role to include connotations and implications, opening it up to interpretation and inference—and misinterpretation and reappropriation. The Climategate controversy, for example, stemmed from a misreading of a bit of placeholder code as a “smoking gun” that supposedly proved fabrication of climate data. A poetry generator created by Nick Montfort was remixed and reimagined by other poets, and subject to literary interpretation.
Hannah Ackermans - 07.09.2020 - 14:45
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Story machines: how computers have become creative writers
Story machines: how computers have become creative writers
Jill Walker Rettberg - 15.07.2023 - 11:01