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1. Narrative Motors

   Deploying the metaphor of "narrative motors," Tisselli analyzes several of his own "degenerative works" in which the program (the engine) burns fuel (information) until it is depleted and generates noise.

   Eric Dean Rasmussen - 23.03.2011 - 13:15

2. The Unsatisfied Reading

   The Unsatisfied Reading

   Eric Dean Rasmussen - 23.03.2011 - 13:32

3. Speak, "Memory": Simulation and Satire in Reagan Library

   Speak, "Memory": Simulation and Satire in Reagan Library

   Eric Dean Rasmussen - 23.03.2011 - 13:43

4. How to Read Words in Digital Literature

   How to Read Words in Digital Literature

   Eric Dean Rasmussen - 23.03.2011 - 14:17

5. Textual Material in the Digital Medium

   Textual Material in the Digital Medium

   Eric Dean Rasmussen - 23.03.2011 - 14:31

6. Preface [to Regards Croisés: Perspectives on Digital Literature]

   Preface [to Regards Croisés: Perspectives on Digital Literature]

   Eric Dean Rasmussen - 24.03.2011 - 12:09

7. Editorial [on Regards Croisés: Perspectives on Digital Literature]

   Editorial [on Regards Croisés: Perspectives on Digital Literature]

   Eric Dean Rasmussen - 24.03.2011 - 12:15

8. Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production

   A reading of Rettberg's "The Meddlesome Passenger" as a postmodern metafiction, in Roland Barthes' terms of the "writerly" text.

   Scott Rettberg - 25.03.2011 - 10:41

9. Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding

   Moulthrop's 1999 Cybermountain keynote, delivered in a MOO online, addresses connections between games, comics, visual narratives, and contemporary web-based and hypertext fictions, emerging from postmodernist media and literary landscape.

   Scott Rettberg - 26.03.2011 - 10:49

10. The ppg256 Series of Minimal Poetry Generators

    I discuss the four Perl poetry generators I have developed in the ppg256 series. My discussion of each program begins with the entire 256 characters of code and continues with an explication of this code, a description of aspects of my development process, and a discussion of how my thinking about computation and poetry developed during that process. In writing these programs, I came to understand more about the importance of framing to the reception of texts as poems, about how computational poetic concepts of part of speech might differ from established linguistic ones, about morphological and syntactical variability, and about how to usefully think about possible texts as being drawn from a probability distribution.

    (Source: Author's abstract)

    Scott Rettberg - 26.03.2011 - 17:39

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