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1. Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing

   Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing

   Patricia Tomaszek - 19.05.2011 - 16:42

2. Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality

   Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality

   Patricia Tomaszek - 19.05.2011 - 16:50

3. Poetic Ergodic Capture

   This paper comments on a number of videos the presenter has shown at the e-poetry festival 2011. Bootz presents the concepts of noematic and ergodic reading, as well as the idea of "ergodic capture."

   Patricia Tomaszek - 19.05.2011 - 16:57

4. The apparatus of digital literature: a stenographic disposition in five minutes or less

   The apparatus of digital literature: a stenographic disposition in five minutes or less

   Scott Rettberg - 20.05.2011 - 19:06

5. A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   Scott Rettberg - 27.05.2011 - 22:53

6. Digital Criticism is Coming of Age: Reading Moving Letters – A Review

   Digital Criticism is Coming of Age: Reading Moving Letters – A Review

   Jörgen Schäfer - 28.06.2011 - 15:02

7. Using Gowalla to Create a Historical Narrative

   A description of a historical, documentary tour of Michigan Agricultural College Tour created by a group of grad students at The Michigan State University Cultural Heritage Informatics (CHI) Fieldschool.

   Jill Walker Rettberg - 29.06.2011 - 15:14

8. Aesthetic Animism: Digital Poetry as Ontological Probe

   Digital poetry is a multimedia hybrid-art-form, a subset of visual language fusing with digital technology, increasingly mediated by networks. Contemporary poems are animated interfaces; and they often utilize dynamic interactive typography superimposed over video, generative or 3D environments. A brief list of the disciplines involved: visual art, sound composition, literature, media studies, computer programming.

   Multimedia-hybrid digital poetry means that the term ‘text’ is insufficient.
   Future theorists will require terminology specific to the domain, I suggest:

   -TAV (text-audio-visual)
   - TAVT (a tav in a 3D territory)
   - TAVIT (an interactive tavt)

   Patricia Tomaszek - 04.07.2011 - 12:11

9. Mobilizing the Poli

   A detailed review of Judd Morrissey and Mark Jeffery’s The Precession. Published July 14, 2011.

   --

   Judd Morrissey’s newest work, theprecession.org is a website that redefines the act of reading literature on the internet in order to draw attention to the ways that reading is changing in our world. The website truly functions as the new book, with chapters that organize his intentions within the project into discrete capitulations of his ideas. My paper is mostly an analysis of the centerpiece of the website, POLI, because of its time-based nature: it uses real-time data capture and provides an extended period of time for the reading of the piece itself. POLI is a significant piece of contemporary literature because of its consciousness becomes political comment through the uses of our various languages.

   Scott Rettberg - 22.07.2011 - 13:08

10. Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program

    The talk takes the audience through how a single one-line Commodore 64 BASIC program can serve as a Rosetta Stone, helping people understand the interconnected cultural and technical aspects of creative computing, practices of using the computer expressively and recreationally in innovative ways.

    Patricia Tomaszek - 22.07.2011 - 18:03

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