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Brian House
Brian House is a media artist whose work traverses alternative geographies, experimental music, and a critical data practice. He is interested in the contingent qualities of information and how we experience time in network culture. By constructing embodied, participatory systems, he seeks to negotiate between algorithms and the rhythms of everyday life.
Currently, Brian teaches in the Digital + Media program at the Rhode Island School of Design (RISD). Previously, he was a member of the New York Times Research and Development Lab, where his work was recognized by TIME in their "50 Best Inventions of 2011" issue. Brian has also led technology at the award-winning design studio Local Projects, developed courses at Parsons Design & Technology program and Columbia's Graduate School of Architecture, and was an artist-in-residence at Eyebeam Art & Technology Center.
Scott Rettberg - 18.04.2011 - 12:26
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Sue Huang
Sue Huang
Scott Rettberg - 18.04.2011 - 12:27
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Teri Rueb
Teri Rueb
Scott Rettberg - 18.04.2011 - 12:35
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Naomi Spellman
Naomi Spellman
Scott Rettberg - 18.04.2011 - 12:49
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Kate Armstrong
Kate Armstrong is a writer, artist and independent curator. Her interdisciplinary practice merges networked media, written forms and urban experiences. Her exhibitions include the Surrey Art Gallery (Surrey, Canada), Contemporary Art Centre (Vilnius, Lithuania), Psy-Geo-Conflux (New York), Western Front (Vancouver), Vancouver International Centre for Contemporary Asian Art (Centre A), ISEA 2006 (San Jose, California), ZeroOne San Jose: A Global Festival of Art on the Edge (San Jose, California), Yerba Buena Centre (San Francisco, California), Interactive Futures: The New Screen (Victoria, Canada), Prairie Art Gallery (Grande Prairie, Alberta), and Akbank Sanat (Istanbul, Turkey). Armstrong has lectured and held workshops at venues including the Tate Britain, Banff New Media Institute, the Obermann Centre for Advanced Studies (Iowa City, Iowa), and Time’s Up (Linz, Austria).
Scott Rettberg - 18.04.2011 - 12:56
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No More Teacher's Dirty Looks
Original publication info: Computer Decisions. 1970. Rpt. in Computer Lib/Dream Machines. 1974. Rpt. in The New Media Reader. 2003.
Scott Rettberg - 18.04.2011 - 13:06
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Melinda Rackham
Melinda Rackham
Eric Dean Rasmussen - 18.04.2011 - 13:20
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Damien Everett
Damien Everett
Eric Dean Rasmussen - 18.04.2011 - 13:21
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Responsive Environments
This paper introduces the concept of a responsive environ- ment which perceives human behavior and responds with intelligent auditory and visual feedback. Several exhibits of responsive environments, implemented by the author, com- bining computer graphics, video projection and two-way video communication are described. VIDEOPLACE, an evolving exhibit which defines a conceptual telecommuni- cation environment uniting geographically separated people in a common visual experience, is discussed at some length. Based on these examples a new art form of composed man- machine interaction is defined. Finally, practical applica- tions are suggested for the fields of education, psychology and psychotherapy.
(Source: Author's abstract)
Original publication info: From AFPIS 46 National Computer Conference Proceedings, 423-33. Montvale, NJ: AFIPS Press, 1977. Rpt. in The New Media Reader, 2003.
Scott Rettberg - 18.04.2011 - 14:00
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Mary Pinto
Mary Pinto
Eric Dean Rasmussen - 19.04.2011 - 08:01