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University of Oslo
University of Oslo
Anders Løvlie - 21.09.2010 - 11:13
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Adalaide Morris
Adalaide Morris
Patricia Tomaszek - 21.09.2010 - 11:16
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Danish Radio
Danish Radio
Hans K Rustad - 21.09.2010 - 11:16
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Networks, Margins and Centres
Networks, Margins and Centres
Simon Biggs - 21.09.2010 - 11:18
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On Byways and Backlanes: The Philosophy of Free Culture
We see before us a turning in free culture. This turning, lies between the claims of the ordinary against those of the extraordinary, and suggests that we need to carefully examine our current situation. The ordinary highlights the fact that even in the beginnings of free culture there existed its middle and its end, that its past invaded its present, and even the most extreme attention to the present is invaded by a concern for the future. Whereas the extraordinary highlights the possibility of thinking that brings us out of this life-world and instead opens out and unfolds the way in which we might reveal a different world. This world could be said to be both within capitalism and between capitalisms. Here we might think about the transformation of the economic base from an industrial fordist form of capitalism, to an economy founded on the valorisation of information and code, a postfordist capitalism. Free culture, then, could be said to lie in the interstices, and in so doing could be a rare chance to help to point the way from the lived to the desired.
David M. Berry - 21.09.2010 - 11:22
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Speaking With The Other
Speaking With The Other
Simon Biggs - 21.09.2010 - 11:24
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Giles Moss
Giles Moss
David M. Berry - 21.09.2010 - 11:25
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The Sentient Sign
The Sentient Sign
Simon Biggs - 21.09.2010 - 11:26
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Ping Poetics
Sandy Baldwin investigates the manner in which a computer "ping trace" can be classified as a form of digital poetics, and discusses the underlying symbolic practices of both poesis and poetics that encompass coding and computation.
Eric Dean Rasmussen - 21.09.2010 - 11:27
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Aesthetics of Visual Noise in Digital Literary Arts
The essay analyzes the phenomenon of digital poems representative of the use of a visually “busy” and typographically dense aesthetic. The essay focuses on digital works, such as Spawn by Andy Campbell, Diagram Series 6 by Jim Rosenberg, and Leaved Life by Anne Frances Wysocki. The author argues that a dominant aesthetic technique of these works, which is called “visual noise,” is generated by a tactilely responsive surface in combination with visual excess. This in turn requires an physical engagement from the reader/user in order for a reading to take place.
Maria Engberg - 21.09.2010 - 11:37