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Digital Creativity as Critical Material Thinking: The Disruptive Potential of Electronic Literature

In this contribution to her co-edited collection, [Frame]works, Saum brings to the digital humanities both makers and theoreticians, gnosis as well as poiesis, school teachers as well as research professors.

Hannah Ackermans - 08.09.2020 - 12:10

Collaborative Reading Praxis

Marino, Douglass, and Pressman describe their award-winning collaborative project, Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope {Bottomless Pit} (2015). Given the novelty of Poundstone’s work and its deviation from traditional forms of print-based literature, the authors break down the methods and platforms that allowed them to respond with new ways of reading—what they call “close reading (reimagined).” Indeed, their respective methods of interpreting Poundstone reminds that the field of e-literature not only brings new literary forms to our critical attention, but also necessitates that hermeneutics adapt to digital contexts as well.

Hannah Ackermans - 08.09.2020 - 12:20

Digital Humanities As/Is a Tactical Term

Hannah Ackermans - 10.09.2020 - 10:38

Justin Berner

Hannah Ackermans - 10.09.2020 - 10:46

Introduction to Post-Digital: Dialogues and Debates from the Electronic Book Review Book Launch

Joseph's Tabbi's talk introducing "Post Digital: Dialogues and Debates from the Electronic Book Review," new two-volume collection of essays edited by Joseph Tabbi documenting highlights of 20 years of essays one of the longest-running open-access research journals focused on literature and culture after the digital turn.

Scott Rettberg - 17.09.2020 - 15:33