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1. Autostart: A Festival of Digital Literature

   Celebrating the release of the Electronic Literature Collection, volume 1 presented by the MACHINE reading series. Conversation about writing and literature in the digital age, featuring poets: Charles Bernstein, Jena Osman, Bob Perelman, Ron Silliman. Workshops, readings, and performances, along with an "Electronic Writing Slam": A time to collaboratively write and to informally discuss forms, techniques, and technologies.

   Source: Festival Website

   Patricia Tomaszek - 03.02.2012 - 14:17

2. The Function of Digital Poetry at the Present Time

   The Function of Digital Poetry at the Present Time

   Scott Rettberg - 03.02.2012 - 14:57

3. Hyperrhiz 03: SpaceWorks

   Special topic: Spaceworks

   Scott Rettberg - 03.02.2012 - 15:27

4. Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World

   Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World

   Scott Rettberg - 03.02.2012 - 15:34

5. Cauldron & Net, Volume 3

   Cauldron & Net, Volume 3

   Scott Rettberg - 03.02.2012 - 15:50

6. Computer Poems

   "In his preface to the anthology Computer Poems (1973), Richard Bailey identifies four poetic tendencies that influenced the works included in the collection: "concrete poetry," "poetry of sound in verbal orchestrations," "imagistic poetry in the juxtaposition of the unfamiliar," and "haiku" (n.pag.). The poems in the anthology reasonably support his (somewhat) dated viewpoint, but there is a correspondence between poetry and digital poetry."
   (Source: Chris Funkhouser in Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades)

   Elisabeth Nesheim - 03.02.2012 - 15:57

7. Digital and Analog Texts

   Digital and Analog Texts

   Scott Rettberg - 03.02.2012 - 15:57

8. The Interactive Diagram Sentence: Hypertext as a Medium of Thought

   Consideration of my work in poetry over more than twenty-five years begins with an analysis of the difficulties of juxtaposition for the poet. A diagram syntax notation provides a method for juxtapositions to be included in larger structures; the accessibility of structural elements in a diagram allows for such constructions as internal relationships and feedback loops. Juxtaposition itself, with no sacrifice of intelligibility, is achieved through an interactive device called a simultaneity. Finally the interactive diagram sentence is explored as a vehicle for hypertext as a medium of thought: this is a truly “native” mode of entirely non-linear thought.

   (Source: Author's abstract from Visible Language)

   Scott Rettberg - 03.02.2012 - 16:14

9. Concrete Poetry in Portugal Experimentalism and Intermediality

   Concrete poetry does not constitute an organized movement in Portugal. Instead, one must consider a range of contemporary Portuguese poetic experimentations achieved by several poets which come close, at a given point in time, to the aesthetics of concretism. This distinctive feature of the Portuguese context is outlined in this article in a comparative perspective, situating the poetics and politics of experimentalism within the international context of concrete poetry, but stressing specific aspects of the critical, historical and political Portuguese context. At the same time, the concrete tendency of experimental poetry points to the importance of literary and communication theories, as semiotics, information theory, and others provide background to understanding individual poems and manifestoes of the poets mentioned within. Finally, the article takes into consideration the fact that concrete poetry fits in larger poetic discourses, ultimately forcing the importance of poetic discourse and literary practices for a better understanding of our surrounding world and culture.

   Patricia Tomaszek - 05.02.2012 - 13:56

10. Remediating Literature

    Remediating Literature

    Scott Rettberg - 06.02.2012 - 15:24

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