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1. Book Post

   A “book post” is placed in the UiB Humanities Library during March 2021, consisting of a table/desk with two stools by it, near a wall.

   Four books are on the table/desk (left to right, in alphabetical order by title): Articulations (Allison Parrish), Golem (Nick Montfort), A Noise Such as a Man Might Make: A Novel (Milton Läufer), and Travesty Generator (Lillian-Yvonne Bertram). Each has a hole drilled through it in the upper left and is secured to the table with a cable, creating a chained library. The books represent the work of four participants in an SLSAeu panel about computer-generated literature.

   A Kodak carousel slide projector is in the middle of the table/desk, projecting small, bright images and texts onto the wall. Slides presenting covers and contents of the five books are shown continually during the exhibition. The selections will be made in consultation with all author/programmers and with their approval.

   The stools allow two readers to sit and peruse the books. The table is wide enough to allow readers to do so while socially distanced.

   Cecilie Klingenberg - 27.02.2021 - 15:32

2. Lezer

   Samen met Kurt Demey ontwierp ik de installatie ‘Lezer,’. Het bovenstaande gedicht wordt daarbij op een magische wijze ontsloten in bibliotheken. (Het is moeilijk om uit te leggen, je moet het meemaken!)

   David Peeters - 17.05.2021 - 14:06

3. Krak

   Bewegend gedicht gemaakt met K. Michel. Vertoond als installatie in Museum De Lakenhal. Als kleurrijk, bewegend gedicht is het de derde Ampersand van De Internet Gids.

   David Peeters - 21.05.2021 - 15:19

4. CARNE y ARENA

   Alejandro G. Iñárritu's Academy Award®-winning virtual reality experience CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.

   Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees's personal journeys. An immersive installation that reunites frequent collaborators Iñárritu and Emmanuel Lubezki alongside producer Mary Parent and ILMxLAB, CARNE y ARENA is a twenty-minute solo journey centered around a virtual reality sequence experienced by three concurrent visitors in separate rooms that employs state-of-the-art immersive technology to create a multi-narrative light space with human characters. CARNE y ARENA premiered at the 70th Cannes Film Festival as the first virtual reality project to be featured in the festival's history. It was presented for the first time in its extensive full version at Fondazione Prada in Milan.

   Martijn Holtkamp - 20.05.2024 - 16:23

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