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Notes on Gnoetry Daily, Volume 1
Chris Funkhouser's notes on Gnoetry and the Gnoetry Daily site, included as a full text pdf attachment.
Scott Rettberg - 07.12.2012 - 15:10
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Notes on the Last Vispo Anthology: Visual Poetry 1998-2008 (for Rain Taxi review)
Chris Funkhouser's notes on The Last Vispo Anthology, prepared for a Rain Taxi review of the book.
Scott Rettberg - 07.12.2012 - 18:06
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Notes on N. Katherine Hayles: Literature and the Literary: Why Electronic Literature is Key to Their Future
Kate Hayles‘ keynote here at The Future of Electronic Literature (ELO2007) discusses why literature departments and programs should and in fact need to incorporate electronic literature in their curriculum. Here are my notes from her talk.
There are three ways of integrating e-lit in universities:
1. A department of media arts – film people, computer people, literary people.
2. An interdisciplinary program where students from different departments come together.
3. Depts of English or other literatures that introduce electronic literature as a component of their faculty lines, curriculum etc. Such a dept is often hard to convince of the importance of e-lit in the general study of literature.The development of literary studies since mid-twentieth century has posed a number of challenges to literary scholars: cultural studies, ethnic studies, post-colonial studies, diaspora studies. Each of those has placed pressure on the dept and changed the kind of questions that literary studies must ask. E.g. what does it mean to write literature in English? (Rather than just in Britain or the US)
Scott Rettberg - 12.01.2013 - 11:22
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Wiki Notes on International Electronic Literature from the 2007 ELO Symposium Panel on International Electronic LIterature
Notes from the panelists on notable works of electronic literature produced outside the USA, with a focus on Spanish and Catalan, French/Canadian, and Nordic works.
Scott Rettberg - 12.01.2013 - 16:22
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Erneute Überlegungen zur Relevanz von Mailinglisten für die Kanonisierung von Netzliteratur
An in-depth study on four German mailinglists and its relevancy for canonization processes in net literature.
Patricia Tomaszek - 07.02.2013 - 14:32
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Ivan Khimin
Ivan Khimin
Natalia Fedorova - 05.09.2013 - 01:24
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E-CyberDigital Poetry: To Grasp or to Build a Genre Identity through a Term’s Choice?
In recent years, the field of digital poetry had at least three major critical monographs
discussing the genre and its state-of-the-art. Loss Pequeño Glazier (2002), Brian Kim
Stefans (2003) and Christopher T. Funkhouser (2007) have not only introduced new
critical perspectives, but have also discussed the genre’s problematic definition and its
denominations’ variety: e-poetry, cyberpoetry and digital poetry.
Considering Theo Lutz’s Stochastische Texte (1959) as the first work of
programmable poetry, one should note the genre’s long history of practice in spite of
its shorter history of critical writing. Therefore, the way authors have been coining
and defining the genre itself claims for a theorization standpoint and helps shaping the
field towards a specific path and perhaps a crystalized historical construction.
Do the referenced terms position their authors in a similar flow of thought? By
following a concept’s trajectory and the author’s choice, one must consider the fact
that its crystallization will shape future critical writing. In this sense, it is important toAlvaro Seica - 04.02.2015 - 19:09
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Caring for Electronic Literature
Notes on the seminar given by Dene Grigar at the University of Coimbra:
Words were once untraceable. Before the invention of writing, they would disappear as soon as they were shared. Writing turned words into discernible shapes. Print, in turn, allowed a precise control over the surface of inscription and, by extension, over language. Books are often related to fixity and durability and they are seen as stable and self-contained objects built to last. However, Dene Grigar believes that all texts, regardless of the format being used, are prone to obsolescence or deterioration. Like words in oral tradition, texts can fall into oblivion if they are not preserved or remembered.
(Source: Author's Introduction)
Daniela Côrtes Maduro - 05.02.2015 - 13:57
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The Sublime Language of My Century
The Sublime Language of My Century
Jana Jankovska - 19.09.2018 - 15:33