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1. "Flows Dream / Shapes Hold": Tijdsgebondenheid, Overwriting, en Remixen in Generatieve Dichtkunst

   Generatieve dichtkunst is een genre dat voor velen nog onbekend zal zijn. In dit artikel biedt literatuurwetenschapper Hannah Ackermans een nadere kennismaking met deze vorm van e-poëzie. Via een analyse van de online gedichtengenerator Taroko Gorge van Nick Montfort bespreekt zij hoe drie kenmerkende eigenschappen van generatieve literatuur, namelijk tijdgebondenheid, overwriting en remixen, spelen met het idee van auteurschap. In hoeverre is er nog sprake van een auteur als een algoritme de gedichten creëert?

    

    

   Hannah Ackermans - 27.06.2017 - 09:25

2. Gestos de Subversão. Estratégias de significação e afecto no Experimentalismo poético

   The present article proposes a reflection on the much-discussed theme of the ―neobaroque‖ in experimental literature. Drawing attention to the presence of baroque influence in the literary art of Italian Futurists and Experimental Portuguese Poets, I argue that, if cybernetic poetry is to be seen as a continuation of Experimentalism, its growing emphasis on gesture and touch should be analysed in accordance with theories pointing to the presence of a gestural dimension in the baroque and, as a consequence, in historical avant-garde movements. Particular emphasis will be given to the theoretical writings of Italian Futurist Filippo Tommaso Marinetti and Experimental Portuguese Poet Ana Hatherly, two Vanguard exponents whose artistic works were directly concerned with the tactile/haptic dimension of arts.

   Diogo Marques - 26.07.2017 - 16:10

3. ELO 2017: Book of Abstracts and Catalogs

   This is the book of abstracts and catalogs of ELO 2017: Affiliations, Communities, Translations.  It includes abstracts to all workshops, roundtable discussions, lightning talks, research papers and panels, readings, performances and screenings, and exhibitions that are part of ELO 2017 conference and festival at UFP and other venues in Porto, Portugal.

   For more information, see the individual elements of the programme.

   Hannah Ackermans - 09.08.2017 - 11:50

4. music/sound/noise

   music/sound/noise is an ebr thread.

   Thread editor from 2006-07: Trace Reddell. MusicSoundNoise was initiated in the winter of 2000/01 by Cary Wolfe and Mark Amerika. msn logo and animation created by Cynthia Jacquette.

   (Source: ebr)

   Pål Alvsaker - 12.09.2017 - 14:48

5. An Aesthetics of the Unsaid

   Andrew Lindquist reviews Michael LeMahieu’s Fictions of Fact and Value, examining the influence of logical positivism on American literature of the postwar era.

   Source: Author’s Abstract

   Ana Castello - 12.09.2017 - 14:58

6. Playing the Blues: Pete Townshend's Who I Am and Music as Experimental Autobiography

   Reviewer Tim Keane suggests that Pete Townshend’s memoir Who I Am captures the tension animating The Who’s career, the duality of autobiographical blues and (art-school inspired) auto-destruction. But, Keane suggests, the book also articulates the written autobiography’s inevitable (if sometimes interesting) failure to achieve the "ex-static" atemporality of music. "I Can’t Explain" ends up telling us more about Townshend’s soul than Who I Am.

   Pål Alvsaker - 12.09.2017 - 15:10

7. Fictions of Fact and Value

   Fictions of Fact and Value

   Ana Castello - 12.09.2017 - 15:10

8. Between Play and Politics: Dysfunctionality in Digital Art

   Marie-Laure Ryan argues that dysfunctionality in new media art is “not limited to play with inherently digital phenomena such as code and programs,” and provides a number of alternative art examples, while also arguing that dysfunctionality “could [also] promote a better understanding of the cognitive activity of reading, or of the significance of the book as a support of writing.”

   tye042 - 20.09.2017 - 12:32

9. #clusterMucks: Iterating synthetic-ecofeminisms

   In the course of examining a number of key concepts in New Materialism, eco-criticism, and feminist philosophy, Melanie Doherty delves into Jamie Skye Bianco’s digitally generated “postnature writing.” Doherty’s rich knowledge of contemporary ecofeminist debates helps to contextualize Bianco’s hybrid performance-based works that draw upon a database of philosophical texts and landscapes, like the Salton Sea and Dead Horse Bay, that have been marred by histories of human misuse.

   (source: http://electronicbookreview.com/thread/criticalecologies/clusterMucks)

   Malene Fonnes - 22.09.2017 - 11:04

10. Sublime Latency and Viral Premediation

    In Sublime Latency and Viral Premediation, Kim Knight addresses the “eco-poetics of the viral” across the biological, social, and digital. Through an analysis of the spread of digital infection, the dynamics of anti-virus software, and digital arts practices, Knight discusses a poetics of fear and desire that is instrumental to the transmission of this virtual pathology. Knight continues, drawing parallels with crowdsourced epidemiology apps that track illness and promote physical health, and makes a powerful case for what Richard Grusin has called the “premediation” of anxiety as a strategy for managing affect in the 21st Century.

    (source: http://electronicbookreview.com/thread/criticalecologies/premediation) 

    Malene Fonnes - 22.09.2017 - 11:08

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