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1. The Interactive Diagram Sentence: Hypertext as a Medium of Thought

   Consideration of my work in poetry over more than twenty-five years begins with an analysis of the difficulties of juxtaposition for the poet. A diagram syntax notation provides a method for juxtapositions to be included in larger structures; the accessibility of structural elements in a diagram allows for such constructions as internal relationships and feedback loops. Juxtaposition itself, with no sacrifice of intelligibility, is achieved through an interactive device called a simultaneity. Finally the interactive diagram sentence is explored as a vehicle for hypertext as a medium of thought: this is a truly “native” mode of entirely non-linear thought.

   (Source: Author's abstract from Visible Language)

   Scott Rettberg - 03.02.2012 - 16:14

2. Concrete Poetry in Portugal Experimentalism and Intermediality

   Concrete poetry does not constitute an organized movement in Portugal. Instead, one must consider a range of contemporary Portuguese poetic experimentations achieved by several poets which come close, at a given point in time, to the aesthetics of concretism. This distinctive feature of the Portuguese context is outlined in this article in a comparative perspective, situating the poetics and politics of experimentalism within the international context of concrete poetry, but stressing specific aspects of the critical, historical and political Portuguese context. At the same time, the concrete tendency of experimental poetry points to the importance of literary and communication theories, as semiotics, information theory, and others provide background to understanding individual poems and manifestoes of the poets mentioned within. Finally, the article takes into consideration the fact that concrete poetry fits in larger poetic discourses, ultimately forcing the importance of poetic discourse and literary practices for a better understanding of our surrounding world and culture.

   Patricia Tomaszek - 05.02.2012 - 13:56

3. On Writing After the Death of Print

   On Writing After the Death of Print

   Eric Dean Rasmussen - 06.02.2012 - 18:59

4. What’s New Is Old: technology, poetry, orality

   What’s New Is Old: technology, poetry, orality

   Eric Dean Rasmussen - 06.02.2012 - 19:02

5. Could I Hear That on YouCode?

   Could I Hear That on YouCode?

   Eric Dean Rasmussen - 06.02.2012 - 19:05

6. Screening a Digital Visual Poetics

   Screening a Digital Visual Poetics

   Eric Dean Rasmussen - 12.02.2012 - 23:27

7. Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Patricia Tomaszek - 13.02.2012 - 00:53

8. International Texts in Critical Media Aesthetics

   International Texts in Critical Media Aesthetics provides a platform for new scholarship in the area of electronic art and literature, to be presented from the perspective of critical aesthetics – philosophical positions dedicated to the problem of how and whether technology as a medium for art and literature simultaneously makes reference to and differs from the use of more traditional media and methods for these expressive practices.

   (Source: Continuum website.)

   Series editors: Francisco J. Ricardo, Jörgen Schäfer

   Editorial Board: Rita Raley, John Cayley, George Fifield, Tony Richards, Teri Rueb

   Scott Rettberg - 13.02.2012 - 15:28

9. New Dimensions in Computers and Composition

   New Dimensions in Computers and Composition

   Scott Rettberg - 13.02.2012 - 15:38

10. New Dimensions in Computers and Composition

    New Dimensions in Computers and Composition

    Scott Rettberg - 13.02.2012 - 15:40

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