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1. Digitale ord af kalvelever og smuldret asfalt

   Digitale ord af kalvelever og smuldret asfalt

   Jill Walker Rettberg - 14.11.2011 - 18:01

2. Tilfældighedspoesi og et programmeret nu

   Tilfældighedspoesi og et programmeret nu

   Jill Walker Rettberg - 14.11.2011 - 18:03

3. Wittgensteins brors venstre hånd : David Clark's “88 constellations for Wittgenstein (to be played with the left hand)"

   Wittgensteins brors venstre hånd : David Clark's “88 constellations for Wittgenstein (to be played with the left hand)"

   Jill Walker Rettberg - 15.11.2011 - 08:38

4. Wreader's Digest - How To Appreciate Hyperfiction

   Compared to its age - or youth - hyperfiction is a rather well-theorized genre. Hyperfiction-criticism either praises its subject as evolved print-text and better realization of contemporary literary theory - or deplore its - allegedly - low literary quality. What is missing, however, are in-depth readings of digital fiction that deemphasize theory and try to appreciate this new genre for what it has to offer.

   In this "paper", I will read two hyperfictions that are not among the two or three canonized texts that are relatively well-known and often-quoted. Both John McDaid's Uncle Buddy's Phantom Funhouse and Sarah Smith's King of Space deal with central issues of hypertext-theory - in content as well as formally. They are about agency and sense-making, ironically deconstructing mainstream theory's claims that digital, hyperlinked texts activate readers into a de-facto author-position. They are also representations of contemporary life that may be difficult to read at first but also make strangely adequate and enjoyable texts for today's readers. (Source: abstract in journal)

   Jill Walker Rettberg - 16.11.2011 - 12:01

5. Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s]

   Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s]

   Jill Walker Rettberg - 16.11.2011 - 12:24

6. SpecLab: Digital Aesthetics and Projects in Specuative Computing

   SpecLab: Digital Aesthetics and Projects in Specuative Computing

   Eric Dean Rasmussen - 18.11.2011 - 14:31

7. Subversive Writing and the Digital Text

   Our understanding of “subversion” can be traced to its Latin roots: vertere, which means “to turn, overthrow, or destroy,” and the prefix sub, which means, “under, beneath.”  Hence, subversion is literally destruction from below.  This understanding carries with it two different connotations, one which is more concrete, as a form of non-frontal assault on a government or similar institution, by staging the attack from behind enemy lines.  The second, relies upon the antagonistic connotations of the first, but refers to the act of turning a system upon itself from within.

   Eric Dean Rasmussen - 24.11.2011 - 11:54

8. Literatura i tecnologia. Ha perdut els papers, la literatura?

   Literatura i tecnologia. Ha perdut els papers, la literatura?

   Sandra Hurtado - 01.12.2011 - 16:23

9. Ciberteatro. Posibilidades dramatúrgicas en la era digital

   Ciberteatro. Posibilidades dramatúrgicas en la era digital

   Sandra Hurtado - 01.12.2011 - 16:35

10. ¿Pero hay realmente un cambio de paradigma? Un análisis apresurado mientras la literatura pierde los papeles

    ¿Pero hay realmente un cambio de paradigma? Un análisis apresurado mientras la literatura pierde los papeles

    Sandra Hurtado - 01.12.2011 - 16:38

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