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1. Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

   Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

   Eric Dean Rasmussen - 04.02.2011 - 12:43

2. Senghor on the Rocks: A Georeferenced Electronic Novel

   author-submitted abstract: Senghor on the Rocks (SOTR) is the first novel that has been extensively illustrated with the help of online satellite imagery. SOTR was written in the form of a classical novel well before we developed the presented online format for publishing. Because of its linear narrative structure, the consistent first?person perspective of the text and the movement that happens throughout the text, it was very well suited for an adaption as an online "geo?novel" based upon Google Maps. The text of the novel was not changed for the online version, but every scene has been geographically referenced and the chapter structure has been adjusted for online reading habits.

   Eric Dean Rasmussen - 16.02.2011 - 14:50

3. Between Play and Politics: Dysfunctionality in Digital Art

   Between Play and Politics: Dysfunctionality in Digital Art

   Eric Dean Rasmussen - 22.02.2011 - 20:46

4. The Oulipo: Constraints and Collaboration

   The Oulipo: Constraints and Collaboration

   Patricia Tomaszek - 24.02.2011 - 11:41

5. Cybertekst: Metodologia i interpretacja

   Fragments from a dissertation written under the guidance of of prof. P M. Markowski and defended at the Jagiellonian University 17 March 2010. Section "Cybertekst, ie, the text-machine."

   Jill Walker Rettberg - 25.02.2011 - 12:28

6. E-Poetry Triangulated

   E-Poetry Triangulated

   Patricia Tomaszek - 04.03.2011 - 23:01

7. Against Digital Poetics

   Against Digital Poetics

   Patricia Tomaszek - 04.03.2011 - 23:07

8. Principles of Spatialization in Text and Hypertext

   Principles of Spatialization in Text and Hypertext

   Patricia Tomaszek - 05.03.2011 - 21:48

9. Scripting Writing and Reading in Jim Andrews's Digital Poems

   The purpose of this paper is to demonstrate the theoretical relevance of kinetic poetry for studying the interaction between language, digital media, and signifying processes. Several writers have been using digital poetry to investigate meaning production as a function of formal operations upon linguistic, computational, and other cultural codes. Interactive kinaesthesia, the main algorithmic trope examined here, enacts the temporality of writing and the temporality of reading in medium-specific forms and genres that call attention to the way their machine and human processing happens. The cinematic enactment of time in the combined motions of computer-executed code and human-activated display will be seen in digital poems by Jim Andrews. His scripts are analysed as models for specific semiotic and interpretive processes. Computer performance and reader performance become co-dependent and intertwined as an entangled field. (Source: Author's abstract at MIT Tech TV)

   Scott Rettberg - 07.03.2011 - 23:01

10. Workplace is Mediaspace is Cityscape: Nick Montfort on Book and Volume

    Workplace is Mediaspace is Cityscape: Nick Montfort on Book and Volume

    Eric Dean Rasmussen - 08.03.2011 - 14:54

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