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1. Imaginary Landscape 4.1 (betamix)

   Tο αφήγημα "Φανταστικό τοπίο 4.1 (betamix)" είναι μια απόπειρα να σκεφτεί κανείς τι μπορεί να σημαίνει μυθοπλασία στα ελληνικά στο πλαίσιο της ψηφιακής κειμενικότητας. Η βασική αφήγηση του ""Φανταστικού τοπίου 4.1 (betamix)" αποτελείται από δύο μέρη· μια μετα-αφήγηση σχολιάζει την καθεαυτή διαδικασία σύνταξης του κειμένου. Η μετα-αφήγηση συμπληρώνεται από θραύσματα κώδικα και άλλων αφηγήσεων. Το "Φανταστικό τοπίο 4.1 (betamix)" μπορεί να ειδωθεί ως μια απόπειρα να σκεφτεί κανείς την σχέση της ελληνικής γλώσσας με τις γλώσσες προγραμματισμού.
    

   Theodoros Chiotis - 30.09.2011 - 20:58

2. Beckett's Bounce

   Beckett's Bounce tells story of two persons meeting in a taxi. The passenger is an anonymous writer, but the driver is the legendary writer and playright Samuel Beckett. They converse, mostly about violence and sex, and engage in sexual acts with prostitutes. The work is set in the usual monochrome style of Young-Hae Chang Heavy Industries, with white letters on a black background, also features a jazzy soundtrack. 

   The work was published on Young-Hae Chang Heavy Industries' web page in 2002 according to the Internet Archive's Wayback Machine.

   Meri Alexandra Raita - 02.10.2011 - 13:46

3. Le Rabot poète

   Le rabot-poète appartient à la série des « petits poèmes à lecture inconfortable ». Le lecteur doit en permanence déplacer la souris d’avant en arrière s’il veut  « raboter » l’aplat qui se reforme continuellement et ainsi accéder à la lecture de l’animation qui se déroule sous ce dernier. Qui, du texte ou du lecteur, contrôle l’autre ? Le ridicule ou le jeu ne l’emportent-ils pas sur le littéraire ? Que lit-on quand le zapping et l’action sont ainsi forcés ? Mais finalement, raboter la couleur de l’eau pour revenir sur l’eau dans l’animation, n’est-ce pas tout simplement réaliser une figure de rhétorique dont le lecteur est l’instrument ? Alors : immersion dans le texte ou, au contraire, le texte s’immerge-t-il jusque dans le lecteur ?

   Poésie du dispositif, de la relation plus que de l’écrit ; un texte à voir et à lire qui n’est plus pensé ni comme un ensemble de mots, ni en termes d’image.

   Philippe Bootz - 04.10.2011 - 01:36

4. Strange Rain

   In Erik Loyer's Strange Rain touch, sound, color, narrative and haptic play (the tilt of the device) blend into a tightly choreographed story driven by the gamer/reader's input. Alphonse the protagonist is standing out in a rainstorm contemplating his ailing sister and his role in her recovery. User touch controls the pace of raindrops falling on Alphonse and calls forth phrases of Alphonse's interior monologue. Tap the screen twice to ask Alphonse whether he's ready to go back into the house.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Eric Dean Rasmussen - 05.10.2011 - 10:02

5. Sous Terre, The Subnetwork

   Sous terre is an order of the RATP for the celebration of the centenary of the Parisian subway in the year 2000. Under ground, the subway, his memory, his internal organization, his/her/its history. His tunnels, of travelers that pass and iron. All one life that we forget under streets. The subway is useful, it serves to go from a point to another, to move without being confronted to the urban chaos. It is another city, but of passages, of flux, of cuts,: a network. Between time, in the displacement, it is necessary to kill the time, not to feel the surrounding intensity, all these people that us meet without recognizing them, the out-flow of the maintaining chanted by the scrolling of stations. To the difference of the other means of transportation the subway doesn't ask for no attention of travelers as for the taken road. One only waits. The subway requires to face the other travelers then, to look at them while waiting to arrive to destination. Travelers are held seated or standing. Some watch on the right, on the left, of others no. A woman reads a book, a man a newspaper, of others merely the emptiness.

   Scott Rettberg - 06.10.2011 - 10:46

6. Sign After the X

   Sign After the X

   Eric Dean Rasmussen - 11.10.2011 - 09:46

7. Galactic Tides by Night

   Scheduled work made in Flash, presented to match the beat of the jazz music playing.

   Meri Alexandra Raita - 11.10.2011 - 13:18

8. How Am I Not Myself

   With Jason Huff's "How Am I Not Myself?" we have a play on biography and the refraction of the self as replicated within a Wikipedia entry by workers from Amazon's Mechanical Turk. As Huff tells us, this piece "aggregates information about all the Jason Huffs on the Internet [and] acts as an open-source platform for identity remix." That is, as long as Wikipedia doesn't find out about it.

   (Source: Alan Bigelow in The New River)

   Note: this page was deleted from Wikipedia.

   Scott Rettberg - 11.10.2011 - 14:20

9. Résumé I?

   A 2007 Rhizome commision.

   Meri Alexandra Raita - 12.10.2011 - 22:23

10. Muds

    Muds

    Marthin Frugaard - 18.10.2011 - 13:48

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