Search

The search found 1726 results in 0.105 seconds.

Search results

1. futureTEXT: hypertext fiction

   Jim Rosenberg speaks on hypertext fiction

   futureTEXT
   a performance of leading edge electronic writing

   Ole Kristian Sæther Skoge - 02.10.2021 - 14:39

2. Image-Music-Text

   'Image-Music-Text' brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, on the practice of music and voice. Throughout the volume runs a constant movement 'from work to text': an attention to the very 'grain' of signifying activity and the desire to follow -- in literature, image, film, song and theatre -- whatever turns, displaces, shifts, disperses. Stephen Heath, whose translation has been described as "skilful and readable" (TLS) and "quite brilliant" (TES), is the author of 'Vertige du déplacement', a study of Barthes. His selection of essays, each important in its own right, also serves as "the best...introduction so far to Barthesʹ career as the slayer of contemporary myths" (John Sturrock, 'New Statesman).' -- Back cover.

   Ole Kristian Sæther Skoge - 02.10.2021 - 23:30

3. Traversal of Mary-Kim Arnold's "Lust"

   The traversal of Mary-Kim Arnold's "Lust" took place on Friday, May 18, 2018 in the Electronic Literature Lab. It was performed by Nicholas Schiller, Associate Director of the lab and faculty in the Creative Media & Digital Culture program at Washington State University Vancouver.

   The traversal of May-Kim Arnold's "Lust" consists of three videoclips of the performance itself along with comments and the questions and answer session with the audience. The traversal was split into three parts. In this event, Nicholas Schiller reads his way through Arnold's "Lust" and explains to the audience how it works when interacting with it and how it gets presented. He also explores the theme in Lust and how there are repeated fragments of stories, words and phrases. 

   Vegard Aarøen Frislid - 03.10.2021 - 04:44

4. Renaissance mnemonics, poststructuralism, and the rhetoric of hypertext composition

   This dissertation provides a prolegomenon for a rhetoric of hypertext composition derived from the Renaissance Art of Memory as well as the poststructural concept of the rhizome. Institutional inertia has prohibited the advent of a fully realized electronic rhetoric, and one can view the effects of this inertia in the "residual literacy" of recent computer interface designs and hypertext documents. The goal is to maximize the mnemonic efficiency of hypertext as a medium of information storage and retrieval. In order to do so, I establish an historical analogy bridging the sixteenth and twentieth centuries. Study of the sixteenth century as a period of transition in mnemonic practices can help to negotiate our current moment of transition from an apparatus of print literacy to an apparatus of electronic literacy.

   Andreas Vik - 03.10.2021 - 11:27

5. The mystery of "lust"

   ABSTRACT

   Mark Bernstein has stated that there are no really good hypertext mysteries. This is a puzzling remark since reading hypertext often seems to require "detective work" on the part of the reader to first ferret out the clues/pieces of the work and then put them together in a reasonable order to form an understanding. While demonstrating a close reading of Mary Kim Arnold's hypertext story, "Lust," this essay explores how the concept of "mystery" applies to the act of reading hypertext and how that affects the role reader (now a "reader-detective") who must search both content nodes and pathways in order to bring cohesion and a sense of completeness to the reading experience. As a close reading, this essay looks at the characters and events described in "Lust" and finally stresses the need to consider the links and paths while reading the hypertext.

   Jørund Dæhlen Bøhn - 03.10.2021 - 19:08

6. Cybertext Poetics: The Critical Landscape of New Media Literary Theory

   Cybertext Poetics has three different points of departure: theoretical, strategic, and empirical. It uses ludology and modified cybertext theory as a cross-disciplinary perspective to solve four persistent and strategically chosen problems in four separate, yet interconnected fields: literary theory, narratology, game studies, and digital media.[1] The problems in the first three fields stem from the same root: hegemonic theories are based on a subset of possible media behaviors that is far too limited, and this limitation seriously undermines their explanatory and analytical power. The cumulative effects of this lack also obscure our understanding of transmediality, media ecology, and digital media. An example may perhaps help demonstrate what I mean.

   Tjerand Moe Jensen - 03.10.2021 - 20:47

7. Postmodernist Fiction

   Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues.

   Tjerand Moe Jensen - 03.10.2021 - 20:51

8. Guy Debord and the Situationist International

   his volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.

   Tjerand Moe Jensen - 03.10.2021 - 21:02

9. Dissemination

   “The English version of Dissemination [is] an able translation by Barbara Johnson . . . . Derrida’s central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives—against the grain of language—to offer a sober revelation of truth. Literature—on the other hand—flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination—more than any previous work—Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to ’deconstruct’ both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth.”—Peter Dews, New Statesman

   Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 20:48

10. Game Cultures: Computer Games as New Media

    This book introduces the critical concepts and debates that are shaping the emerging field of game studies. Exploring games in the context of cultural studies and media studies, it analyses computer games as the most popular contemporary form of new media production and consumption. (Taken from Google Books)

    Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:36

Pages