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The Sounds of the Artificial Intelligentsia
As I thread my way through ebr, I touch base with the artificial intelligentsia that my work circulates in. The artificial intelligentsia is an internetworked intelligence that consists of all the linked data being distributed in cyberspace at any given time, one that is powered by artistic- intellectual agents remixing the flow of contemporary thought.
tye042 - 25.09.2017 - 15:13
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It's All About You, Isn't It? Editors' Introduction to Second Person
Pat Harrigan and Noah Wardrip-Fruin justify their focus on the experience of play over theory in their assemblage of the essays by game designers, players, and critics featured in Second Person - the book.
Andre Lund - 13.10.2017 - 13:02
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A Critical Notice on a Book on Primates and Philosophers
Paola Cavalieri challenges the notion of the book "Primates and Philosophers: How Morality Evolved" by Frans de Waal, that human superior ethical worth can be preserved.
(source: http://electronicbookreview.com/thread/criticalecologies/evolving)
Malene Fonnes - 16.10.2017 - 10:22
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How to Do Word with Things
One of a series of eco-critical reviews, Stephen Dougherty explores
the new ways that “matter is made to matter” in Ira Livingston’s
writing on science and literature. The payoff of an ecocriticism
grounded in the materiality of language itself, can bee seen by the
strong political positioning toward the end of Dougherty’s essay.(source: http://electronicbookreview.com/thread/criticalecologies/fractal)
Malene Fonnes - 16.10.2017 - 10:25
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On Being Difficult
Ken Hirschkop questions whether poststructuralism and
self-referentiality offer workable alternatives to the military ‘World
Target’ that, according to Rey Chow, provides the framework for
knowledge production in Departments of Comparative Literary Studies.(source: http://electronicbookreview.com/thread/criticalecologies/transitive)
Malene Fonnes - 16.10.2017 - 10:28
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Geek Love Is All You Need
Steven Shaviro reviews Shelley Jackson’s Half Life, the first print-based novel by a pioneering hypertextualist.
Ana Castello - 06.12.2017 - 20:02
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Mediated Memories in the Digital Age
Many people deploy photo media tools to document everyday events and rituals. For generations we have stored memories in albums, diaries, and shoeboxes to retrieve at a later moment in life. Autobiographical memory, its tools, and its objects are pressing concerns in most people’s everyday lives, and recent digital transformation cause many to reflect on the value and meaning of their own “mediated memories.” Digital photo cameras, camcorders, and multimedia computers are rapidly replacing analogue equipment, inevitably changing our everyday routines and conventional forms of recollection. How will digital photographs, lifelogs, photoblogs, webcams, or playlists change our personal remembrance of things past? And how will they affect our cultural memory? The main focus of this study is the ways in which (old and new) media technologies shape acts of memory and individual remembrances. This book spotlights familiar objects but addresses the larger issues of how technology penetrates our intimate routines and emotive processes, how it affects the relationship between private and public, memory and experience, self and others.
Scott Rettberg - 12.09.2018 - 15:47
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bpNichol’s ‘First Screening’ - Introduction
bpNichol’s ‘First Screening’ - Introduction
Ana Castello - 16.10.2018 - 17:00
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Introduction (Fictions Present)
Introduction (Fictions Present)
Trygve Thorsheim - 17.09.2019 - 15:36
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Making Now
Making Now
Trygve Thorsheim - 17.09.2019 - 15:47