Search

The search found 1111 results in 0.03 seconds.

Search results

1. Towards a Practice/Theory on Digital Reading

   Towards a Practice/Theory on Digital Reading

   Scott Rettberg - 06.10.2011 - 16:08

2. In the Event of Digital Text. Performativity and E-literature.

   In the Event of Digital Text. Performativity and E-literature.

   Scott Rettberg - 06.10.2011 - 17:15

3. Analysing Digital Poetry: A Case Study

   A semiotic reading of Les Manges Texts, an early work of French electronic literature.

   Scott Rettberg - 07.10.2011 - 11:51

4. Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron

   Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron

   Scott Rettberg - 10.10.2011 - 12:23

5. Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel

   Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel

   Scott Rettberg - 10.10.2011 - 12:30

6. Digital readings. Reading through images and sound

   Digital readings. Reading through images and sound

   Scott Rettberg - 10.10.2011 - 12:48

7. A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento

   Theodoros Chiotis - 15.10.2011 - 13:52

8. The Lyrical Quality of Links

   A short paper arguing that hypertext might be a lyrical rather that a narrative form. It proposes the close examination of explicit links as the starting point for a study of hyperfiction rhetoric.

   Jill Walker Rettberg - 15.10.2011 - 20:15

9. Subversive Writing and the Digital Text

   Our understanding of “subversion” can be traced to its Latin roots: vertere, which means “to turn, overthrow, or destroy,” and the prefix sub, which means, “under, beneath.”  Hence, subversion is literally destruction from below.  This understanding carries with it two different connotations, one which is more concrete, as a form of non-frontal assault on a government or similar institution, by staging the attack from behind enemy lines.  The second, relies upon the antagonistic connotations of the first, but refers to the act of turning a system upon itself from within.

   Eric Dean Rasmussen - 24.11.2011 - 11:54

10. Generating Books: Paradoxical Print Snapshots of Digital Literary Processes

    Since the advent of the internet, advocates and critics alike have heralded the end of the book. George P. Landow observed that hypertextuality and poststructuralism emerged at the same moment, both due to dissatisfaction with the printed book and hierarchal thought. Derrida argued the question of writing could only be opened if the book was closed. Consider, then, the paradoxical position of Vienna-based publishers TRAUMAWIEN. Recognizing that although the vast majority of the text produced by computer systems – protocols, listings, error logs, binary codes – is never seen or read by those who consume it, this text is internal to our daily thoughts and actions and is thus literary. TRAUMAWIEN conceives of the print books it publishes as snapshots of computer generated literary processes which would otherwise be disappearing as soon as they are written. This paper will discuss the iterative processes by which I generated one such book published by TRAUMAWIEN in 2010.

    J. R. Carpenter - 25.11.2011 - 12:05

Pages