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1. Comunidades experimentales y literatura digital en Latinoamérica

   Comunidades experimentales y literatura digital en Latinoamérica

   Claudia Kozak - 07.12.2018 - 23:46

2. Literatura digital e memória no contexto tecnopoético latino-americano

   Literatura digital e memória no contexto tecnopoético latino-americano

   Claudia Kozak - 08.12.2018 - 00:06

3. An introduction to the functioning process of embedded paratext of digital literature: Technoeikon of digital poetry

   An introduction to the functioning process of embedded paratext of digital literature: Technoeikon of digital poetry

   Shanmuga Priya - 19.12.2018 - 14:22

4. ‘Writing for’ with Authority: Theorizing an Electronic Edition of Shahriar Mandanipour’s Censoring an Iranian Love Story

   Censoring an Iranian Love Story (CAILS) by Shahriar Mandanipour (2009) is a novel written for translation. Despite being penned in Farsi, this original text has yet to be published. CAILS simultaneously presents the initial titular love story (bold), pre-emptively censored text before it is ‘submitted’ to the Iranian Ministry of Culture and Islamic Guidance (bold with strikethrough), and explanations as to why censoring occurred (roman). Mandanipour’s voice has the authority that comes with writing in a mother tongue, yet in writing for translation he disavows authorial privilege. A non-hierarchical electronic text that enables the reader to shift between the ‘original’, censored, and ‘annotated’ text, as well as these options within the original Farsi, could restore authority to the writer. By theorising such an edition, I explore the possibility of a novelistic form that would enable and empower non-English writers to cross linguistic, social, cultural, political, religious, and censorship boundaries.

   David Wright - 07.03.2019 - 03:58

5. Self-Aware Self-Censorship As Form

   A dedicated, elaborated thought stream from an author who, like McElroy, has read and thought about the presence of censorship (as theme and experience) in novels by Ross Gibson, Shariar Mandinipour, J.M. Coetzee, W.G. Sebald, Mark Z Danielewski, Italo Calvino, and Fernando Pessoa. Author David Thomas Henry Wright explores the (loss of) authority of the literary novel in a time of "networked glut" while at the same time seeking trans-national, trans-historical, photographic, multi-medial and inter-generational "alliances" that might redress contemporary censorship and "deeply shape (or erode) contemporary literature."

   David Wright - 08.03.2019 - 04:51

6. . “THANNER KUHAI ‘The Water Cave’ – A VR Poetry Experience”

   . “THANNER KUHAI ‘The Water Cave’ – A VR Poetry Experience”

   Shanmuga Priya - 08.05.2019 - 08:03

7. The Interlocutor in Print and Digital Fiction: Dialogicity, Agency, (De-)Conventionalization

   Digital fiction typically puts the reader/player in a cybernetic dialogue with various narrative functions, such as characters, narrative voices, or prompts emanating from the storytelling environment. Readers enact their responses either verbally, through typed keyboard input, or haptically, through various types of physical interactions with the interface (mouseclick; controller moves; touch). The sense of agency evoked through these dialogic interactions has been fully conventionalized as part of digital narrativity. Yet there are instances of enacted dialogicity in digital fiction that merit more in-depth investigation under the broad labels of anti-mimeticism and intrinsic unnaturalness (Richardson, 2016), such as when readers enact pre-scripted narratees without, however, being able to take agency over the (canonical) narrative as a whole (Dave Morris’s Frankenstein), or when they hear or read a “protean,” “disembodied questioning voice” (Richardson, 2006: 79) that oscillates between system feedback, interior character monologue and supernatural interaction (Dreaming Methods’ WALLPAPER).

   Astrid Ensslin - 13.06.2019 - 00:01

8. Bodies of Information: Intersectional Feminism and Digital Humanities

   In recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.

   Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.

   Hannah Ackermans - 06.08.2019 - 10:45

9. A World of Fiction : Digital Collections and the Future of Literary History

   Mass-digitised collections are an increasingly important part of knowledge infrastructure for literary history and the humanities generally. This book explores the requirements and possibilities of research in this context. In investigating over 9,200 works of extended fiction identified in the largest open-access collection of mass-digitised historical newspapers internationally, it shows how data-rich approaches to literary history can revolutionise our understanding of literature in the past, including the categories and conceptual frameworks through which we perceive it.

   (Source: https://katherinebode.wordpress.com/books/)

   Hannah Ackermans - 07.08.2019 - 10:44

10. Getting Lost in Narrative Virtuality

    Repetition, gestural abstraction and depictions of noise; an absence of narrative causation, a multiplicity of micro-narratives and opacity of material communications: The digital narrativity observed and created by Will Luers is equally applicable to the films of Stanley Kubrick or the paintings of Hieronymous Bosch - which implies a longer continuity (and less radical transformation?) than we might have expected. Indeed, Luers argues that "networks and nonlinear systems" might better be understood as "something deep in our brains," even as narrative may be regarded "as a necessary construct, but not the complete picture of reality."

     

    David Wright - 28.08.2019 - 03:07

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