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1. Des arts-réseaux aux dérives programmées : actualité de "l'art comme expérience

   In this habilitation thesis I report on over 30 years of creative research in the visual arts. I conducted and analyzed three selected experiments to cast light on the artistic process. In a body of work entitled Paris Réseau/Network I explored the possibilities of networked art using protocols and instructions. I developed this in several stages. Originally designed as a performance, it quickly developed beyond the real-time experience to take charge of its own archives. The second chapter describes the making of Partially Buried University, an interactive 3D environment, and reflects on my implication in a collective research project involving artists, scientists and industrialists. In the third experiment, the goal was to test protocols developed by other artists. As a pedestrian, I followed the paths traced by these artists, and as cartographer I represented and situated these experiences. Finally, with a view to interpreting the “field data,” in the last chapter I outline the problems that underlie all these practices.

   Jill Walker Rettberg - 24.09.2020 - 21:21

2. Writing games: Collaborative Writing in Digital-Ludic Spaces

   This dissertation examines how social network site (SNS) platforms enhance writers’ experiences of pleasure and play in the process of writing together. My primary site of study is Protagonize.com, a SNS that encourages member-generated collaborative creative writing. Correlating Bakhtin’s theory of utterance, Huizinga’s understanding of play, and Wittgenstein’s concept of language games, I argue that Protagonize.com allows writers to engage in writing practices where authorship becomes inherently collaborative, context adapts to users’ needs, and the social-dimension of language emerges.

   Solange Saballos - 26.09.2020 - 18:02

3. Scripting Observable with RiScript

   This workshop presents a hands-on introduction to the RiTa v2.0 tools, including the new RiScript language. Version 2 of RiTa is a complete rewrite of the library that is easier-to-use, faster and more powerful. The workshop will cover the basics of RiTa and RiScript in JavaScript, with a specific focus on the Observable notebook environment.

   Scott Rettberg - 25.05.2021 - 14:07

4. “Let my readers go”: Freedom, the ‘post-’, electronic ‘literature’

   What do Jeremy Hight’s Glacial, A Novel (whose content he has pledged to Tweet one word at a time every day between the November 2020 and June 2042), Anna Anthropy’s Queers in Love At the End of the World (a Twine romance unfolding at the eleventh minute before the apocalypse which readers are allowed to devour in just ten seconds), and Claire Dinsmore’s The Dazzle as Question (a hypermedia prose-poem about old-school artistry versus the onset of the digital with a penchant for blind(sid)ing its reader) all share in common? For one, they are narratives mediated by computer-hosted platforms and invested in wresting lection from their readers. For another, this paper will argue, they are examples of the post-literary according to a very specific and not strictly conventional definition.

   Milosz Waskiewicz - 25.05.2021 - 15:04

5. Teaching Machines

   Teaching Machines

   Lene Tøftestuen - 27.05.2021 - 15:54

6. The will to learn: A guide for motivating young people

   The will to learn: A guide for motivating young people

   Lene Tøftestuen - 27.05.2021 - 16:01

7. Introducing social semiotics

   Introducing social semiotics

   Lene Tøftestuen - 27.05.2021 - 16:10

8. Utterings: Toward a Supra-Semiotic Telepresent Communication

   "Utterings" is a networked performance and research group whose members gather online and, while blindfolded, engage in utterings as communication. We want to create an on the fly “new” language, that forwards attention, trust and affects, above rationality. Put another way, we seek to develop a shared, experiential, supra-semiotic form of communication based on our ongoing performance history with each other. Michael Bakhtin's concept of the "utterance event" as a node of intersection between lived, present-tense communication and atemporal, semiotic meaning has informed our research. Over the past year, we have enacted eight performances online "at" festivals "in" Nantes (France), Birmingham (UK), Linz (Austria), and London (UK). Members of our group will collectively discuss what we have pragmatically learned and experienced in our performance research thus far. During the panel we will make a writing pad available, where the audience can collectively write their thoughts on utterings as a communication form. Our group will join and continue the discussion on the writing pad in the last part of the panel.

   Milosz Waskiewicz - 27.05.2021 - 16:18

9. The Poetics of Space

   The Poetics of Space

   Lene Tøftestuen - 27.05.2021 - 16:18

10. Hanging Out in the Virtual Pub: Masculinities and Relationships Online

    Hanging Out in the Virtual Pub: Masculinities and Relationships Online

    Lene Tøftestuen - 27.05.2021 - 16:25

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