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The Shape of the Signifier: 1967 to the End of History
The Shape of the Signifier: 1967 to the End of History
Eric Dean Rasmussen - 10.02.2012 - 14:08
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The Cut-Up Method of Brion Gysin
The Cut-Up Method of Brion Gysin
Meri Alexandra Raita - 11.02.2012 - 11:35
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Virtual Muse: Experiments in Computer Poetry
In this engaging, accessible memoir, Charles Hartman shows how computer programming has helped him probe poetry's aesthetic possibilities. He discusses the nature of poetry itself and his experiences with primitive computer-generated poetry programs and -- illustrated with sample computer-produced verses -- traces the development of more advanced hardware and software.
The central question about this cyber-partnership, Hartman says, "isn't exactly whether a poet or a computer writes the poem, but what kinds of collaboration might be interesting." He examines the effects of randomness, arbitrariness, and contingency on poetic composition, concluding that "the tidy dance among poet and text and reader creates a game of hesitation. In this game, a properly programmed computer has a chance to slip in some interesting moves." (source: book description)
Meri Alexandra Raita - 11.02.2012 - 11:44
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Electronic Mediations
Electronic Mediations
Eric Dean Rasmussen - 13.02.2012 - 14:25
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Third Hand Plays
Third Hand Plays
Patricia Tomaszek - 13.02.2012 - 22:46
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Digitale Medien in der Erlebnisgesellschaft. Kunst, Kultur, Utopien
Untersucht werden die gesellschaftlichen und ästhetischen Auswirkungen kultureller Phänomene digitaler Medien. Den Schwerpunkt bilden ausführliche Fallstudien künstlerischer und kultureller Phänomene wie Newsgroups, Computergames, Weblogs, interaktive Installationen oder Online-Kunst, die jeweils in einen größeren intermedialen Zusammenhang gestellt werden.
Patricia Tomaszek - 14.02.2012 - 23:57
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Our Ailing Educational Institutions
Our Ailing Educational Institutions
Eric Dean Rasmussen - 15.02.2012 - 12:14
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Digital Rhetoric and Poetics: Signifying Strategies in Electronic Literature
Digital Rhetoric and Poetics: Signify Strategies in Electronic Literature explores computational and media-based signifying strategies in electronic literature from the point of view of reading, writing, programming and design, with a focus on the rhetoric and poetics of heavily mediated, multi-modal digital artifacts. With the introduction of images, animations, audio, and the procedural into the area of literary practice it is perhaps no longer sufficient to consider electronic literature within the domain of traditional concepts of rhetoric or poetics. Signification in media-rich electronic literary work occurs across semantic and semiological systems, and technological paradigms. As such, it is important that both practitioner and scholar understand how these attributes of digital media operate poetically and rhetorically, how they facilitate and sometimes undermine meaning-making in electronic literature.
Eric Dean Rasmussen - 17.02.2012 - 08:36
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How We Think: Digital Media and Contemporary Technogenesis
How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or "hyper reading," and analysis through machine algorithms are forms of reading as valid as close reading once was.
Eric Dean Rasmussen - 17.02.2012 - 09:33
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Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts
Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts
Jörgen Schäfer - 17.02.2012 - 12:56