Search

The search found 7205 results in 0.08 seconds.

Search results

1. The Capilano Review

   The Capilano Review has a long history of publishing new and established Canadian writers and artists who are experimenting with or expanding the boundaries of conventional forms and contexts. International writers and artists appear in our pages too. Now in its 39th year, the magazine continues to favour the risky, the provocative, the innovative, and the dissident.

   J. R. Carpenter - 04.03.2011 - 22:00

2. E-Poetry 2001

   From the organizer´s website: E-Poetry is both a conference and a festival on digital poetry. Authors and researchers worldwide meet and present their research and works. This permits researchers to present their latest research and artists to premier their most recent works. A selection of the papers is published after the conference following the peer review system and we will also like to publish proceedings of the conference. Artistic and academic events will take place at key Barcelona venues such as the the University of Barcelona, the Barcelona Center for Contemporary Culture and the Caixaforum, providing authors the opportunity to present their works to a public curious about new poetry and artistic trends employing technology and communication during the Setmana de la Poesia, that is also sharing a part of our artistic program.

   Patricia Tomaszek - 05.03.2011 - 11:42

3. Bruce Clarke

   Bruce Clarke is Paul Whitfield Horn Professor of Literature and Science in the Department of English at Texas Tech University. His research focuses on 19th- and 20th-century literature and science, with special interests in systems theory, narrative theory, and ecology. In 2010-11 he was Senior Fellow at the International Research Institute for Cultural Technologies and Media Philosophy, Bauhaus-University Weimar, and in Summer 2015 he was Senior Fellow at the Center for Literature and the Natural Sciences, Friedrich Alexander University Erlangen-Nürnberg. He edits the book series Meaning Systems, published by Fordham University Press.

   Eric Dean Rasmussen - 07.03.2011 - 08:50

4. Manuela Rossini

   Manuela Rossini

   Eric Dean Rasmussen - 07.03.2011 - 08:52

5. The Routledge Companion to Literature and Science

   The Routledge Companion to Literature and Science

   Eric Dean Rasmussen - 07.03.2011 - 08:55

6. Robert Pinsky

   Robert Pinsky

   Eric Dean Rasmussen - 07.03.2011 - 12:57

7. Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry

   In this paper I would like to consider the aesthetics of digital poetry with reference to ideas of aesthetic autonomy and sensuous appearing.
   The notion of autonomy, whether of the art-work or of a mode of experience with which it is associated, has been central to the historical development of the idea of the aesthetic itself. Andrew Bowie defines it as ‘the idea that works of art have a status which cannot be attributed to any other natural object or human product’ (Aesthetics and Subjectivity, p. 2). It is an idea which has been seen as ideologically driven, as when Terry Eagleton suggests that ‘the idea of autonomy – of a mode of being which is entirely self-regulating and self-determining – provides the middle class with just the ideological mode of subjectivity it requires for its material operations’. Yet Eagleton also argues that aesthetic autonomy can provide a ‘vision of human energies as radical ends in themselves which is the implacable enemy of all dominative or instrumentalist thinking’, implying that it has potential for avant-garde or critical purposes (Eagleton, Ideology of the Aesthetic, 9).
   

   Eric Dean Rasmussen - 08.03.2011 - 16:05

8. Nicolas Szilas

   Nicolas Szilas

   Eric Dean Rasmussen - 08.03.2011 - 16:29

9. Rencontre: An Experimental Tool for Digital Literature

   For several years, the Paragraph Laboratory, University of Paris 8, has explored new avenues in the field of digital art and literature. In that context, a project is currently ongoing in this lab, in collaboration with the University of Technology of Compiegne and the University of Geneva, supported by the Maison des Sciences de l’Homme Paris Nord. The goal of this project is to design a computer tool for the writing of nonlinear fictions for interactive media and to investigate its impact on both the writing and reading processes.

   Eric Dean Rasmussen - 08.03.2011 - 16:33

10. Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters

    Rob Wittig's 17 minute video lecture, recorded for a TEDx event at the University of Minnesota / Duluth, lays out some ideas about connections between the design of printed books and a particular idea of life in contemporary culture, in contrast to a model of life based on postmodern ideas of identity. He also references the context of literary history in considering the forms of literature that might be suited to a culture of multitasking and smart phones, at one point comparing Don Quixote to a contemporary gadget-obsessed digital native. The talk and accompanying slideshow provide a useful introduction to some important questions about the relationship between contemporary technologies and literary form.

    Scott Rettberg - 08.03.2011 - 21:37

Pages