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Monoskop/log
Monoskop/log
Zuzana Husarova - 22.09.2012 - 09:04
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Media Archaeology Lab
The motto of this lab is that “the past must be lived so that the present can be seen.” Nearly all digital media labs are conceived of as a place for experimental research using the most up-to-date, cutting-edge tools available; however, the MAL (previously called the AML, or Archeological Media Lab)—which is, as far as we know, the first of its kind in North America—is a place for cross-disciplinary experimental research and teaching using the tools, the software and platforms, from the past. The MAL, then, is propelled equally by the need to maintain access to early works of electronic literature (and note too that, given how quickly technology changes, sometimes an “early work of electronic literature” may have been created as recent as 2001 and is similarly no longer viewable on current platforms) and by the need to archive and maintain the computers these works were created on.
Patricia Tomaszek - 06.10.2012 - 10:56
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The Interactive Fiction Archive
This archive is a home for interactive fiction (aka IF) games, development tools, game solutions, and programming examples, and for the Usenet newsgroups rec.arts.int-fiction and rec.games.int-fiction. We want this site to be a place where all things related to the art (and science) of interactive fiction can be consolidated.
HTTP: http://ifarchive.org/
Scott Rettberg - 09.10.2012 - 21:33
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ELINOR: Electronic Literature in the Nordic Region
ELINOR was a Nordic project to document and promote electronic literature in the Nordic countries, and was funded by NORDBOK. In addition to a series of events, ELINOR created a database of electronic literature in Norway, Denmark, Sweden and Finland. The database is no longer extant, but the works have been entered into the ELMCIP Knowledge Base.
Jill Walker Rettberg - 15.10.2012 - 11:56
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The Deena Larsen Collection
In May of 2007, MITH received the extraordinary gift of Deena Larsen’s personal collection of early-era personal computers and software. Deena is an author and new media visionary who has been active in the creative electronic writing community nearly since its inception in the 1980s. In addition to being a writer and thinker, Deena has also been a collector and an amateur archivist (or, as we say of amateurs, a hoarder). Collecting and hoarding, it turns out, are very important activities, since too few of our cultural institutions and repositories are yet engaged with acquiring and saving the rich and various creative legacy we have inherited from the first generation of personal computing. The arrival of Deena’s collection at MITH furnishes us with invaluable source material which will further both our in-house research in digital curation and preservation, as well as function as a primary resource for researchers interested in early hypertext and electronic literature.
(Source: MITH Deena Larsen Collection)
Scott Rettberg - 16.10.2012 - 16:20
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Michael Joyce papers (Ransom Center)
The Harry Ransom center at UT Austin has collected Michael Joyce's papers, including materials related to his early work in hypertext and his afternoon, a story.
Scott Rettberg - 20.10.2012 - 22:27
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Webartery
Webartery
Scott Rettberg - 03.11.2012 - 11:47
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Enciclopédia Itaú Cultural: Arte e Tecnologia no Brasil
A presente enciclopédia é um ambiente colaborativo voltado para um aspecto específico da arte contemporânea, chamado genericamente de "arte tecnológica". O novo projeto incorpora o antigo Panorama de Arte e Tecnologia e a Revista CIBERCULTURA (ISSN 1679-6756).
Luciana Gattass - 06.11.2012 - 12:02
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Арт-Тенета - Книга Отзывов на конкурс
Арт-Тенета - Книга Отзывов на конкурс
Natalia Fedorova - 27.01.2013 - 12:47
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Кибература
Что такое "кибература"? Слово это бесполезно этимологически препарировать: из всех определений со схожим окончанием (прокуратура, мануфактура, префектура и т.д.) оно имеет отношение лишь к литературе. "Кибература" - это даже и не определение, а пароль, пропуск для посвященных - освещенных сиянием монитора - в мир литеры, запечатляемой и воспроизводимой электронно-кибернетическими средствами. Здесь цель уже не оправдывает средства, здесь средства - самоцель, и им не нужно оправданий. Здесь слово превращается в пиктограмму, невнятную по содержанию и изысканную по форме. Здесь доминирует то, чего высокомерно чурается литература - оформление. Это тот самый недостающий элемент, который окончательно превращает литературу в искусство.
Natalia Fedorova - 27.01.2013 - 12:53