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  1. Terms of Use

    'Terms of Use' (Sat)
    A performative and polemical reading of a short prose piece concerning the ways in which the network services of vectoralist 'big data' are reconfiguring practices of writing and reading.

    (Source: Author's abstract, 2012 ELO Conference site)

    Eric Dean Rasmussen - 14.06.2012 - 16:04

  2. Digital Humanities in Practice (DIKULT 207, Fall 2012)

    Digital Humanities in Practice (DIKULT 207, Fall 2012)

    Patricia Tomaszek - 24.08.2012 - 14:00

  3. Digital Humanities in Practice (DIKULT 207, UiB, Fall 2013)

    Digital Humanities in Practice (DIKULT 207, UiB, Fall 2013)

    Patricia Tomaszek - 18.01.2013 - 11:50

  4. The Letters of 1916: Editing as UnRemembering

    Ireland is currently in the opening years of what has been billed The Decade of Centenaries, or The Decade of Commemoration. This decade, from 1912-1922, marks a violent and disruptive period, politically, socially, and creatively, cumulating in Irish independence from the United Kingdom, followed by a bloody Civil War. 1916 is seen as a turning point in Irish politics: not only were many thousands of Irish fighting in the Great War with the British army, many at home took up arms against that army during the Easter Rising. The Letters of 1916 is a crowd-sourced digital humanities project that is creating ‘a year in the life’ of Ireland, as well as how Ireland was perceived abroad, by collecting letters – any letter—about Ireland. This talk will explore the methods and politics of creating such as collection which is being positioned technically at the intersections of digital scholarly editing and big data.

    (Source: ELD 2015)

    + info: http://dh.tcd.ie/letters1916/

    Alvaro Seica - 15.05.2015 - 13:54

  5. Murmurs, Open Corpus of Online Written Poetry – The End of Isolated Poems

    Murmurs seeks to gather and link texts written with a poetic intention and available in the net in order to present them in a consistent form within the outline of a hypertext. These texts will be identified by an algorithm and interconnected through semantic links generated with the use of coincident words.

    Thanks to this process, the texts with poetic format, already published online, will become a sole extensive and surfable piece that can be analyzed and can receive feedback from blogs, twits, and by any other indexable means. This way we seek to generate a piece of e-poetry by uniting those expressive texts in the net that cannot individually be classified as e-poetry. In order to achieve this we will use algorithmic processes, databases, crawlers for indexing, Big Data analysis, all presented as self-generated hypertexts.

    The study of these texts through systems of computer linguistics will allow finding coincidences in the use of language with expressive intentions in the net. In a second moment, an API (application programming interface) will open and allow the free processing of the information gathered.

    Hannah Ackermans - 28.11.2015 - 14:09

  6. "The global assemblage of digital flow: sritical data studies and the infrastructures of computing"

    "Geographers have been at the forefront of interrogating the changes made possible by the ubiquity of computing and the phenomenon of ‘big data’ in an emerging field known as ‘critical data studies’. In this article, I argue that engagement with the proliferation of computing infrastructures that make these new developments possible in the first place allows critical data studies to gain important historical-geographical perspective, connect to new manifestations of uneven development, and better grasp the role of non-human actors within emerging socio-technical relations. This expanded empirical framing opens up new theoretical implications and opportunities for public engagement with critical infrastructure."

    Anne Karhio - 08.11.2019 - 12:05