|
The Aberration of the Translator |
Qianxun Chen, Theadora Walsh, Lucas Baisch |
2018 |
|
A Place Called Ormalcy |
Mez Breeze |
2018 |
|
always tomorrow |
Caitlin Fisher, Damon Loren Baker |
2019 |
|
Beyond Manzanar |
Tamiko Thiel, Zara Houshmand |
2001 |
|
BOOK OF A HUNDRED GHOSTS |
Yuk-Yiu Ip |
2018 |
|
Canticle |
Samantha Gorman, Danny Cannizzaro |
2010 |
|
Cardamom of the Dead |
Caitlin Fisher |
2014 |
|
Cardamom of the Dead |
Caitlin Fisher |
2014 |
|
Cavewriting Classics on the Oculus Rift |
Damon Loren Baker |
2015 |
|
Circa 1948 |
Stan Douglas |
2014 |
|
Digital Fiction Curios |
Andy Campbell, Judi Alston |
2019 |
|
Ekspositur: Ein Virtueller Wissensraum |
Mathias Fuchs, Sylvia Eckermann |
2001 |
|
Eldorado, Iraq 2017 (Iraqi soundscape 2012-2013) |
Edouard Beau |
2019 |
|
Everyone at this Party is Dead |
Caitlin Fisher |
2014 |
|
ExtraPhysical Worlds |
Bluescreen |
2001 |
|
Hearts and Minds: The Interrogations Project |
Roderick Coover, Scott Rettberg, Daria Tsoupikova, Arthur Nishimoto |
2014 |
|
Holojam In Wonderland |
David Gochfeld |
2017 |
|
Howling Dogs |
Porpentine Charity Heartscape |
2012 |
|
Labylogue |
Maurice Benayoun, Jean-Pierre Balpe, Jean-Baptiste Barrière |
2000 |
|
NeuroSpeculative AfroFeminism |
Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov |
2017 |
