|
"Big Brother really is watching you!" Literatur in mobilen Datenräumen |
Beat Suter |
2011 |
|
|
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext |
Paul Hackman |
2011 |
hypertext fiction |
|
"Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia |
Lisa Swanstrom |
2011 |
aesthetics of spatial dislocation, interpretation, digital literacy, grid |
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
'Click = Kill'. Textual You in Ludic Digital Fiction' |
Astrid Ensslin, Alice Bell |
2012 |
flash fiction, second person, second-person address, narratology |
|
'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction |
Alice Bell, Astrid Ensslin |
2011 |
hypertext fiction, second person, narratology, stylistics |
|
'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics |
Rita Raley |
2011 |
|
|
Å lese med fingrene |
Scott Rettberg |
2011 |
touchscreen, ipad, children's literature, haptic |
|
A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation |
Sandy Baldwin |
2003 |
materiality, textuality, literary innovation, digital poetics |
|
Aesthetics of surface, ephemeral and re-enchantment in digital literature: How authors and readers deal with the lability of the electronic device |
Alexandra Saemmer |
2009 |
digital aesthetics, lability of the device, surface and interface, semiotics, figures of manipulation, figures of animation |
|
After the Book? |
Carolyn Guyer |
1992 |
|
|
Alla ricerca di tracce: Letteratura nella rete, letteratura creata per la rete e la loro storia |
Peter Gendolla, Jörgen Schäfer |
2004 |
|
|
Amor de Clarice [Resenha] |
Pedro Reis |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
Anti-Spam: Reinventing Data |
Álvaro Seiça |
2012 |
datascape, data mining, visualization, digital art, impedance, projection mapping |
|
Apología de la brevedad: Intermínims de navegació poètica o la tentación del silencio |
Laura Borràs Castanyer |
2005 |
|
|
Archivierung von digitaler Literatur: Probleme,Tendenzen, Perspektiven / Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives |
|
2010 |
archiving, restoring, emulating, digital memory |
|
Archivierung von performativer Netzliteratur. Eine ernste Polemik |
Johannes Auer |
2010 |
|
|
Artists' Books in the Digital Age |
Margot Lovejoy |
1997 |
artist books |
|
As We May Think |
Vannevar Bush |
1945 |
hypertext, history, archive, science, memex, associative indexing, research |
|
Attacking the Borg of Corporate Knowledge Work: The Achievement of Alan Liu's The Laws of Cool |
N. Katherine Hayles |
2005 |
review, knowledge work, culture of information, information, information society, digital culture, cool, diversity, humanities education, digital literary studies, corporate culutre, business culture, ethics |
|
Auf Spurensuche: Literatur im Netz, Netzliteratur und ihre Vorgeschichte(n) |
Peter Gendolla, Jörgen Schäfer |
2001 |
|
|
Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games |
Keith Stuart, Jason Nelson |
2011 |
interview, blog, game, Flash, electronic literature, net art, digital poetry, digital aesthetics, professionalism |
|
Being Dissolved: Erasure and Destruction in the Digital Text |
Yra van Dijk |
2008 |
|
|
Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish |
Manuel Portela |
2011 |
code, motion, generative, kinetic poetry, romance language |
|
Between Play and Politics: Dysfunctionality in Digital Art |
Marie-Laure Ryan |
2010 |
|
|
Beyond Myth and Metaphor: Narrative in Digital Media |
Marie-Laure Ryan |
2002 |
narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity |
|
Beyond the Book: François Bon and the Digital Transition |
Allison James |
2011 |
François Bon, daily writing, online writing, digital literature, digital textuality |
|
Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl |
Alexandra Glavanakova-Yaneva |
2003 |
|
|
Bokstaver i bevegelse |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Bones of the Book |
Robert Moor |
2012 |
e-books, electronic literature, hypertext, textuality, reading |
|
Bookend; www.claptrap.com |
Laura Miller |
1998 |
hypertext, hypertext fiction, reading, literature, literary history, literacy |
|
Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism |
Annika Richterich |
2011 |
|
|
Ciberdrama e Hipermédia |
Rui Torres, Luís Carlos Petry |
2008 |
|
|
Cibertextualidades: Introdução |
Rui Torres |
2006 |
cybertext, digital literature, digital poetry, intermediality, new media poetry, hypermedia |
|
Collaborations in E-lit |
Stephanie Strickland, Nick Montfort |
2011 |
collaboration, electronic literature, e-lit, the ecological thought, recombinant poetics, code, remix, appropriation, interactive fiction, platform |
|
Comedies of Separation: Toward a Theory of the Ludic Book |
Brian Kim Stefans |
2011 |
critical terms, rhetoric |
|
Concrete Poetry in Portugal Experimentalism and Intermediality |
Rui Torres |
2010 |
concrete poetry |
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Constructing an Aesthetic of Web Art from a Review of Artists' Use of the World Wide Web |
Alison Colman |
2005 |
|
|
De la confirmation à la subversion: Les figures d’animation face aux conventions du discours numérique |
Alexandra Saemmer |
2011 |
digital discourse, semiotics, poetics, figures of animation |
|
Den digitale litterære kultur og bibliotekerne : Stram forretningsmodel eller litterær udfordring? |
Søren Bro Pold |
2012 |
e-book, digitalization, library |
|
Der Tod des Autors als Geburt des Editors |
Uwe Wirth |
2001 |
|
|
Digital Art and Culture After Industry? |
Søren Bro Pold, Christian Ulrik Andersen |
2011 |
|
|
Digital Literature and the Digital |
Serge Bouchardon |
2011 |
Digital, manipulation, digital writing, digital literature |
|
Digital Magic: Preservation for a New Era |
Matthew G. Kirschenbaum |
2012 |
digital forensics, preservation, emulation, media archaeology |
|
Digital Narratology: Understanding Narrative Competence in Mediated Spaces |
Jennifer Roudabush |
2010 |
|
|
Digitale Editionen |
Fotis Jannidis |
2008 |
|
|
Digitales Schreiben und Archivierbarkeit von elektronischer Literatur. |
Beat Suter |
2010 |
|
|
Distributed Cognition at/in Work: Strickland, Lawson Jaramillo, and Ryan's slippingglimpse |
N. Katherine Hayles |
2009 |
|
|
E-Borges: Stuart Moulthrop’s Victory Garden |
Álvaro Seiça |
2012 |
war, intertextuality, Borges, labyrinth |
|
E-Lit. Som Litt.-Vit. |
Scott Rettberg |
2011 |
|
|
Editorial Process and the Idea of Genre in Electronic Literature in the Electronic Literature Collection, Volume 1 |
Scott Rettberg |
2010 |
genre, ELO, Electronic Literature Organization, editing, archiving |
|
Electricians, Wig Makers, and Staging the New Novel |
Steve Tomasula |
2011 |
writing, novel, authorship, new media, collaboration, collage |
|
Electronic Literature as an Information System |
Laura Borràs Castanyer |
2009 |
|
|
Electronic Literature as World Literature; or, The Universality of Writing under Constraint |
Joseph Tabbi |
2010 |
|
|
Elektronisk litteratur i Norden |
Hans Kristian Rustad |
2008 |
electronic literature, Scandinavia, overview |
|
ELIZA — A Computer Program For the Study of Natural Language Communication... |
Joseph Weizenbaum |
1966 |
artificial intelligence, chatterbot/conversational character, chatbot |
|
Event-Space on the Move (On the Computer Games Philosophy) |
Janez Strehovec |
2010 |
games, event-space |
|
Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics |
Mark Amerika |
2004 |
writing, net art, digital narrative, ethics, aesthetics, performative |
|
Finding a Third Space for Electronic Literature: Creative Community, Authorship, Publishing, and Institutional Environments |
Scott Rettberg |
2011 |
community, authorship, publishing, academia, electronic literature, creativity |
|
Flukten fra språkfengselet |
Scott Rettberg |
2010 |
publishing, Electronic Literature Collection, documentaries, essays |
|
Focalization and Digital Fiction |
David Ciccoricco |
2012 |
focalization, narratology, narrative, digital fiction, cybernetic narration |
|
Following Paths of Electronic Literature |
Zuzana Husárová |
2011 |
digital aesthetics, performativity, materiality, electronic literature, interaction |
|
Friending the Past: The Sense of History and Social Computing |
Alan Liu |
2011 |
historicism, social networks, social computing, history, literary history, oral culture, media studies, writing systems, authorship, web 2.0, temporality, sociality, social media |
|
From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation |
Laura Borràs Castanyer |
2011 |
materiality of language, materiality, sound, birdsongs |
|
Gammel vin in nye skinnsekker |
Scott Rettberg |
2010 |
remediation, adaptation |
|
Gaps, Maps and Perception: What Hypertext Readers (Don't) Do |
J. Yellowlees Douglas |
1992 |
|
|
Gathered, Not Made: A Brief History of Appropriative Writing |
Raphael Rubinstein |
1999 |
|
|
Geopoetik: Die ästhetische Erfahrung lokativer Medienkunst zwischen Materialität, Zeichenhaftigkeit und (Selbst)Reflexion |
Katja Kwastek |
2011 |
|
|
Geospatial Aesthetics: Time, Space, Agency and Movement in Electronic Writing |
Maria Angel, Anna Gibbs |
|
|
|
Holopoetry and fractal holopoetry: Digital holography as an art medium |
Eduardo Kac |
1989 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
Holopoetry and Perceptual Syntax |
Eduardo Kac |
1986 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
How Interactive Can Fiction Be? |
Michel Chaouli |
2005 |
|
|
How We Read: Close, Hyper, Machine |
N. Katherine Hayles |
2010 |
reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities |
|
Humanities Games and the Market in Digital Futures |
Johanna Drucker |
2005 |
knowledge work, review, digital culture, corporate culture, information, humanities, digital humanities, cool, avant-garde, aesthetics, media studies, aesthesis |
|
Hypertext Fiction Reading: Haptics and Immersion |
Anne Mangen |
2008 |
haptics, reading, multisensory reading, touch, hypertext fiction |
|
Hypertext: Permeable skin |
Martha Petry |
1992 |
|
|
I, Apparatus, You: A Technosocial Introduction to Creative Practice |
Jenny Weight |
2006 |
apparatus, dialogue, interpretation, phenomenology, programming, technosocial, text-as-apparatus, trilogue, uncanny |
|
Interactive Drama: Narrativity in a Highly Interactive Environment |
Marie-Laure Ryan |
1997 |
interactivity, interactive drama, Classicism, Aristotle |
|
Interactive Fiction as Literature |
Mary Ann Buckles |
1987 |
interactive fiction, adventure games, computer games |
|
Intermediation: The Pursuit of a Vision |
N. Katherine Hayles |
2007 |
electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark |
|
Interrupting D : Patchwork Girl’s Syncopated Body |
Arnaud Regnauld |
2010 |
|
|
Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives |
Daniel Punday |
2004 |
game narratives, melancholy, emotion, affect, immersion, reader response |
|
Jason Nelsons hemmelige teknologi |
Scott Rettberg |
2010 |
catastrophe, dark humor, games, Flash, absurdity |
|
Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet |
Michel Chaouli |
2003 |
|
|
La creació literària digital i les textualitats electròniques des d’un observatori anomenat Hermeneia |
Laura Borràs Castanyer |
2006 |
|
|
La literatura electrónica |
Laura Borràs Castanyer |
2009 |
|
|
Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones |
Laura Borràs Castanyer |
2010 |
|
|
Lesningens visjoner: Om å lese i et multimedialt miljø |
Scott Rettberg |
2011 |
vision, reading, cognitive psychology |
|
Libros informáticos, libros posinformáticos: formas de lo literario en la era digital. Muestra de tecnologías literarias catalanas contemporáneas |
Laura Borràs Castanyer |
2009 |
|
|
Lire la littérature numérique à l’université : deux situations pédagogiques |
Alexandra Saemmer |
2010 |
pedagogy, didactics, teaching digital literature |
|
Literatur, Raum, Neue Medien: Eine Annäherung |
Jörgen Schäfer, Peter Gendolla |
2011 |
|
|
Literatura Digital 2010. La Incubadora |
Laura Borràs Castanyer |
2010 |
|
|
Literature as Echo: Mark Z. Danielewski's House of Leaves |
Álvaro Seiça |
2010 |
contemporary american literature, echo, hyperfiction, gothic novel, Danielewski, House of Leaves, digital textuality, multilayered authorship |
|
Literaturgeschichte des Digitalmediums |
Helmut Schanze |
1996 |
|
|
Lit[art]ure: la literatura en tiempos de Internet |
Laura Borràs Castanyer |
2008 |
|
|
Locating the Literary in New Media |
Joseph Tabbi |
2008 |
posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness |
|
Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net |
Sandy Baldwin |
2009 |
|
|
Machinic minds and posthuman bodies: the complexities of intimacy in three electronic works by Shelley Jackson |
Arnaud Regnauld |
2010 |
embodiment, intimacy |
|
Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson, Patchwork Girl, My Body & A Wunderkammer, and The Doll Games |
Arnaud Regnauld |
2010 |
|
|
Making Digital Poetry: Writing with and through Spaces |
Mirona Magearu |
2012 |
|
|
Media studies, mobile augmented reality, and interaction design |
Jay David Bolter, Maria Engberg, Blair MacIntyre |
2013 |
|
|
Metaphernmodelle aktueller Kommunikationsorganisation |
Dietrich Scholler |
2011 |
|
|
Mobile Media Poetics |
Rita Raley |
2011 |
|
|
Mutability, Medium and Character |
Dene Grigar |
2002 |
NEH Summer Institute, N. Katherine Hayles |
|
Narration, Intrigue, and Reader Positioning in Electronic Narratives |
Daniel Punday |
2012 |
narrative, reader, intriguee, intrigue, narratee, agency |
|
Narrative Architectures After the Book: New Containers & Standards for Stories in Digital Culture |
Carolyn Guertin |
2006 |
|
|
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext |
Laura Shackelford |
2005 |
narrative, remediation, hypertext, postmodern fiction, hypertext theory, subjectivity, gender |
|
Nonce Upon Some Times: Rereading Hypertext Fiction |
Michael Joyce |
1997 |
close reading |
|
Nordic electronic literature. Tradition, Archiving, and Cultural Valuation |
Hans Kristian Rustad |
2010 |
archiving, nordic e-lit |
|
On Locative Narrative |
Rita Raley |
2008 |
|
|
Ord som kan lyse opp et mørkt rom |
Scott Rettberg |
2009 |
electronic literature, introduction, modalities |
|
Orpheus no longer uses the Qwerty layout: Literature and Digital Ghosts |
Theodoros Chiotis |
2009 |
digital aesthetics, Greek literature, post-print fiction, sampling, appropriation, digital discourse |
|
Our Ailing Educational Institutions |
Bernard Stiegler |
2003 |
technical systems, systems, mnemotechnics, education, globalization, digital culture, philosophy |
|
Pixelated Drama |
Joe Milutis |
1997 |
pixel, high definition, cheap art, pixelvision camera, digital aesthetics, chess, artificial intelligence, bandwidth, lo-res, video art, Garry Kasparov, Nicholas Negroponte |
|
Poesia Holográfica: as três dimensões do signo verbal |
Eduardo Kac |
1984 |
holopoetry, Eduardo Kac, telematic, Brazilian elit |
|
Poesia luso-brasileira contemporânea: do verbo ao pixel |
Débora Silva, Rui Torres |
|
cybertext, digital literature, digital poetry, new media poetry, teaching digital literature, visual poetry |
|
Polymers, Paranoia, and the Rhetorics of Hypertext |
Stuart Moulthrop |
1991 |
|
|
Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON |
Arnaud Regnauld |
2011 |
|
|
Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, experimental literature, intermediality, new media poetry, preservation, teaching digital literature, digital archives |
|
Print Is Flat, Code Is Deep: Rethinking Signification in New Media |
N. Katherine Hayles |
2004 |
|
|
Programming words |
Laura Borràs Castanyer |
2010 |
|
|
Psychogeography, Détournement, Cyberspace |
Amy J Elias |
2011 |
psychogeography, détournement, cyberspace, Situationist Internationale, avant-garde, dérive, web 2.0, Debord, spectacle |
|
Publish and Die: The Preservation of Digital Literature within the UK |
Simon Biggs |
2010 |
archiving, electronic literature, obsolescence, media ecology, archive, preservation |
|
Questions to Augusto de Campos |
Marina Correa |
2010 |
interview, concrete poetry, digital concrete poetry |
|
Reading, Describing, and Evaluating Electronic Literature for Archiving |
Patricia Tomaszek |
2010 |
Electronic Literature Organization, editing, archive, electronic literature, obsolescence, literary history, semantic web, Electronic Literature Directory, scholarly editing, curation |
|
Reading, Writing, and Teaching Creative Hypertext: A Genre-Based Pedagogy |
Kevin Brooks |
2002 |
pedagogy, teaching, genre, writing |
|
Remediation |
Jay David Bolter, Richard Grusin |
1996 |
remediation, mediation |
|
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson’s Patchwork Girl and the Limits and Possibilities of Donna Haraway’s Cyborg |
Heather Latimer |
2011 |
hypertext fiction, cyborg, reproductive technologies, representation, monstrosity |
|
Riddles of the Interface: Hieroglyphic Consciousness and New Experimental Multimedia |
Joe Milutis |
1999 |
interface, afrofuturism, hieroglyphic language, interactivity, digital language, CD-ROM, art |
|
Screening a Digital Visual Poetics |
Brian Lennon |
2000 |
digital poetics, materiality, literary history |
|
Speaking With The Other |
Simon Biggs |
1994 |
|
|
Spielbare Konflikte: Gattungsstrukturen und Spielhandlungen im interaktiven Drama |
Jörgen Schäfer |
2008 |
|
|
START HERE> An Interdisciplinary Introduction to Electronic Literature |
Scott Rettberg, Rob Wittig, Joseph Tabbi, Andrew Stern, NIki Nolin, Michelle Citron, Kurt Heintz |
2002 |
exhibition, selection, interdisciplary |
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Stuck in a Loop? Dialogue in Hypertext Fiction |
Thomas Bronwen |
2007 |
narrative, hypertext fiction, dialogue |
|
Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental |
Laura Shackelford |
2006 |
monstrosity, media studies, feminism, posthuman, systems theory |
|
Text-Spiele: Anmerkungen zur Netzliteratur |
Jörgen Schäfer |
2004 |
|
|
The Challenges of Hybrid Forms of Writing |
Dene Grigar |
2005 |
Computers and Composition |
|
The Contingencies of the Hypertext Link |
Terry Harpold |
1991 |
hypertext, link, contingency |
|
The End of Books |
Robert Coover |
1992 |
hypertext, fiction, books, novel, line, linearity, closure, choice, narrative flow |
|
The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden |
Robert L. Selig |
2000 |
hypertext, narrativity, closure |
|
The Grotesque Corpus |
Terry Harpold |
1992 |
|
|
The Heuristics of Automatic Story Generation |
Marie-Laure Ryan |
1987 |
narrative, generative, story generation |
|
The Imaginary Solution |
Craig Douglas Dworkin |
2007 |
modernism, postmodernism, digital poetics, pataphysics, avant-garde, recombinant poetics, generative poetics, homophonic, Stein |
|
The Interactive Diagram Sentence |
Jim Rosenberg |
1996 |
hypertext, diagrams, juxtaposition, non-linear |
|
The Literariness of New Media Art - A Case for Expanding the Domain of Literary Studies |
Claudia Benthien |
2012 |
|
|
The Paratexts of Inanimate Alice: Thresholds, Genre Expectations and Status |
Gavin Stewart |
2010 |
paratext, technotext, Genette, close reading |
|
The Readers Project: Procedural Agents and Literary Vectors |
Daniel C. Howe, John Cayley |
|
|
|
The Sentient Sign |
Simon Biggs |
1993 |
|
|
Think Again: Artificial Intelligence, Television, and Video |
Joe Milutis |
1998 |
data visualization, artificial intelligence, detective, video art, emergence, television, convergence |
|
Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2010) |
Joseph Tabbi |
2010 |
ELO, Electronic Literature Directory, literary tagging, folksonomy, community, directory, semantic web, database |
|
Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext |
Stuart Moulthrop |
1995 |
hypertext fiction, narrative, hypertext narrative |
|
Triálogo: Prelúdio dialogante a AlletSator |
Pedro Barbosa , Rui Torres, Pedro Reis |
2008 |
cybertext, digital literature, digital poetry, generative poetry, new media poetry, teaching digital literature |
|
Understanding Knowledge Work |
Alan Liu |
2005 |
humanities, digital humanities, literary studies, epistemology, higher education, information, information society, academia, knowledge work, corporate culture, New Criticism, literary criticism |
|
Understanding the Act of Reading: the WOE Beginners' Guide to Dissection |
J. Yellowlees Douglas |
1991 |
close reading, reading hypertext |
|
Was bedeutet: Online lesen? Über die Möglichkeit des Archivs im Cyberspace |
Michel Chaouli |
2001 |
|
|
What New Media Offers |
Dene Grigar |
2007 |
Computers and Composition |
|
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction |
J. Yellowlees Douglas |
1993 |
text performance, reading-performance, hypertext |
|
Writing for the New Millennium: The Birth of Electronic Literature |
Robert Kendall |
1995 |
historical |
|
Writing on the World: Augmented Reading Environments |
Maria Engberg |
2011 |
|
|
Writing the Ephemeral […] and Re-Enchanting the Remnants: The Lability of the Digital Device in Literary Practice |
Alexandra Saemmer |
2011 |
animation, figure, technological sublime, re-enchantment, ephemeral, instability, digital poetry, digital aesthetics |
|
Электронная литература: неизвестное неизвестное. |
Mikhail Viesel |
2011 |
|
|
‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” |
Johndan Johnson-Eilola |
1991 |
pedagogy, hypertext |
|
…ha perdut la veu: Some reflections on the composition of e-literature as a minor literature |
Jerome Fletcher |
2011 |
electronic literature, erasure, minor literature, minorization, performativity, pragmatics |